Equinoxious - Límite Voltaico

Rogelio Serrano has spent most of his time in an mastery exercise over analog electronics, voltage controlled connections and sound design through subtractive synthesis in the last five years, since the consolidation of his project.

Limite Voltaico is a disinterested album of the benefits and weaknesses offered by today’s times virtual technologies (digital synthesizers, and virtual synthesizers) . It’s an immediate contact with the early 80s minimal electronics / minimal synth sounds, a more strong facet in accordance with the musical influences of the Mexican.

In collaboration with the well know and multifaceted minimal synth artist :Kriistal Ann (Paradox Obscur) vocals on -Bakta- and the Brazilian singer: Juliana R. (Anvil Fx) on -Eclosão-.

LP

Posted on September 6th, 2018 under Releases, , ,

Mitra Mitra - Marionettes

Here’s the latest release from Mitra Mitra, a minimal electronic duo from Vienna, Austria.

Mini-LP / Digital Album

Posted on September 4th, 2018 under Releases, ,

Visonia - Fake Wings

A new heart-stopping piece of work by Visonia in which sadness, happiness, hopeful and desperation are in a continuous battle. As a result of this distress and ad nauseam the Chilean artist has asked himself about the sense of life and figured out how to look on the bright side.Doubtless,If we talk about “Fake Wings”,we could point out that this one is an epic and thought-provoking album composed of 6 wicked tunes and released on lovely pinkwhite vinyl.

12″ / Digital Album

Posted on September 2nd, 2018 under Releases, ,

Another Cold World 2

Here’s a compilation from Cold Beats featuring NONE, Aus Tears, Paradox Obscur, Lola Kumtus, L’Avenir, Non Lieu, La Mécanique, A V G V S T, Vacant Stares, Palissade, Antidolby, Blind Seagull, Delayscape and The Detox Twins.

CD / Digital Album

Posted on August 31st, 2018 under Releases,

Them Are Us Too - Amends

Them Are Us Too was formed in the Bay Area by friends Kennedy Ashlyn and Cash Askew in 2012 after meeting at school. Fast friends with an appreciation for the same music and art, they recorded a demo and began performing intimate and memorable gigs on the west coast. They quickly gained a cult following as word spread about their youthful, innocent, and fresh take on the revered 80s dream pop and shoegaze sound, and Kennedy Ashlyn’s voice was immediately compared to Elizabeth Fraser, Kate Bush, and Harriet Wheeler – while Cash Askew’s washes of intricate guitar felt akin to Robin Guthrie, Ronny Moorings, or Kevin Shields. Their music felt familiar but new, nostalgic, and heartbreaking, with songs delivered simply and earnestly. They betrayed their age (both only 21 when they signed to DAIS) by releasing one of the most incredible debut albums of 2014, “Remain”.

Tragically, Cash Askew passed away in the Ghost Ship fire in Oakland in December of 2016, sending a shockwave of loss through our community. While Kennedy Ashlyn would eventually emerge as a solo artist through her project SRSQ, there were unfinished Them Are Us Too recordings and demos that Kennedy and those close to Cash felt deserved be heard in her memory.

Kennedy returned to the studio with producer Joshua Eustis (Telefon Tel Aviv), Sunny Haire (Cash’s stepfather), Matia Somovich (INHALT), and Anya Dross (Cash’s girlfriend) to complete unfinished demos and sketches, write new compositions, and honor Cash Askew. The result is “AMENDS”: an album of tragic beauty and depth that tugs at emotions and inspires.

Digital Album

Posted on August 29th, 2018 under Releases, ,