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Originally developed as a film score »Takt der Arbeit« is inspired by a handful of industrial and instructional films from the early 1960′s until the early 1990′s that portrait different forms of work. Felix Kubin is translating these historic documents into a musical poem of conceptual depth. »Takt der Arbeit« – the beat of work – is not only serving as a title but also as constructive element in this endeavour. Being hunted down by the ever accelerated pulse of our reality is an omnipresent issue in capitalist societies of the the Western world. Living in times of constant exhaustion, it’s not only our bodies that have been disciplined by and synchronized to the rhythms of working processes, but also our minds that rage in the tempo of our surroundings. Following an almost analytical effort, Kubin and an ensemble of 3 percussionists are investigating the different qualities and intensities of time that are catalyzed in working processes. While picking up precise temporal and motoric motives of the films, condensing paces and excavating rhythmic patterns, the ensemble is mapping out an animist choreography, shifting from a time when labour was still relying on bodily efforts to a time when machines and ticking clocks seem to reign and model our perception. While Side A is dedicated to procedures that are still based on manual and mechanical movement, Side B is inspired by the digital age, marked by invisible processes and subcutaneous pulses that we internalize. The result is a critical and poetic reflection on the rhythms of our daily life and yet another example of Felix Kubin’s skills as a composer, placing him in the field of orchestral music.
We are honored to announce the latest album from Michel Amato aka The Hacker, ‘Le Théâtre des Opérations’. Michel began making music in 1989 a the age of 17 in Grenoble, France. He grew up listening to New Wave bands like Duran Duran, The Cure and Depeche Mode as well as the darker side of electro Kraftwerk, Cabaret Voltaire and D.A.F. In 1990s he released a series of 12” singles and an album of cold, calculating and relentless techno. In 1997 he teamed up with Caroline Herve aka Miss Kittin and to release landmark singles and albums that effortlessly channeled the carefree spirit of 80s electro pop (of which we released an EP of lost demos back in 2015). Michel’s new live project sees the enigmatic artist go back to his roots, performing a 100% analogue set directly inspired by his first true loves of New Wave and dark, powerful techno. ‘Le Théâtre des Opérations’ features 8 new tracks spread evenly across 2×12”s cut at 45rpm for maximum sound quality and DJ utility. The title comes from a metaphysical journal by French-born Canadian science fiction writer Maurice G Dantec. Passionate about avant-garde techno, The Hacker has taken his influences and crafted a potent homage to the power of the synthesizer. Songs veer from gritty, raw EBM to dark, subterranean electro, effortlessly channeling the strains of the Michel’s musical DNA: Front 242, Jeff Mills, Dopplereffekt, Drexciya. The only vocal track features an appearance by longtime friend and collaborator Miss Kittin, named “Time X” after the French science fiction television series Temps X. All songs have been mastered and lacquer cut by George Horn at Fantasy Studios in Berkeley. Cover artwork features a collage by London-based artist Anthony Gerace, and each copy includes a postcard featuring a photo of a young Michel from 1989.
Involved with both analog and digital electronics. I cannot be restricted by physical releases. Here I will deliver online exclusive tracks.
Here’s the fourth release from Dolphins, a synthpop duo from Leipzig, Germany. |
