DRIVE // past Eleven Pond albums were named after sculpture genres, this one is not. the ‘Drive’ title comes from an obsession with vehicles and the freedoms, experiences or excitement they brings via sports car, truck, motorcycle, scooter, race bike , stunt jet, submarine, etc… but it also has to do with a drive to find love, something much harder to acquire than fast objects.
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Constantly in Love, the second record from Kælan Mikla keyboardist and back-up singer Sólveig Matthildur, is an emotional, poetic, and breathtaking creation. From the light-hearted but dead serious first single and video (“Dystopian Boy”), to the medieval symmetry of the album’s construction (spoiler: it’s a massive envelope poem), Sólveig has, quite possibly, written album for the ages. Channeling influences as varied as trip-hop pioneers Portishead, to black metal band Urfaust, to French post-punk chanteuse Hante, Sólveig’s sophomore album is one part darkwave, one part spoken art-poetry jams, and one part electronic downtempo compositions. Rolling Stone’s David Fricke likely put it best: after seeing Sólveig live, he called her “a tablet-age reincarnation of the post–Velvet Underground Nico.” From Wrocław, Poland, Give Up To Failure is a group carrying loads of dark and heavy tones. Digital Album (free download) Long time kept in the pipelines, we are proud to welcome the discreet, although agitated newcomer Legion 808 conveying his debut vinyl release on the label. Composed while stuck in some kind of hallucinated trance, his mind and body cemented behind the four walls of his Parisian apartment, the Frenchman ultimately unleashes a scathing first entry into his discography. Taking the shape of a vicious six track mini-album, long brewed with ruthless humor, oozing fever and nervous breakdowns, Tombouctou Crisis feels as vigorous as a slap in the face. Making up for some of the best industrial bedroom music we’ve heard as of late, he always manages to find his way back to the surface throughout the many layers of bizarre grooves and caustic humor, zealous snare attacks and strange nursery rhymes. Only to uncover a depressurized atmosphere of sorts; from which a strong smell of burned asphalt never gets off your clothes. Synth music project based in Barcelona, originally from Limerick, Ireland. The music is inspired by synth and electro pop acts of the early 1980s and the 2000s. The dominant themes are consumer, consumption, consumer society and postmodern marketing. |




