SCHMERZ is a Dark Coldwave “one man band” from Lima – Perú. This EP was conceived in a conceptual way and created in a stage of depression, fear and desolation.
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HøRD is the solo project of Bordeaux-based synthwave producer Sebastien Carl. Started in 2014, Sebastien has proven himself to be able to gather a cult fan-base around his creation in a short time, collaborating with artists as Hante, Winter Severity Index and Black Bug and performing live in most European countries. Debuted by Antoni Maiovvi and Vercetti Technicolor’s Giallo Disco, an EP on SNTS’ Sacred Court and a second full-length on Avant! have followed. Bodies is his third album and it shows eight new passages that take HøRD’s distinguishing features one step further once more. Ethereal synths matching deep analogue beats, veiled vocals speaking of visions, memories, meaning and failing. Synthwave sounds like a soundtrack from the 80′s meet electro and techno mechanical rhythms along a stream of tracks that almost have no name so that the listener can just let them flow and flow with them, taking a journey away from the present time and into an abstract, dream-like modern dimension where the misty and the solid are one.
Ian Martin’s Neo Modernist is an exercise in introspection, where things aren’t always rosy. Confronting your anxieties and fears may not be pleasant but sometimes necessary to escape deterioration. Ian Martin’s music channels these feelings, and gives beauty to something that expressed in words can seem depressing. One of Rotterdam’s best kept secrets comes through with maximum emotion and prowess. Take notice.
Metal Disco is the solo project of Toxic Razor of Paradox Obscur. Nothing is disclosed from behind the wall of misinformation and masked anonymity Metal Disco present to the world.
The debut album from this German-Polish duo CEL is a test laboratory for rhythmic cadences and electrostatic discharges. Under the expert guidance of Hamburg producer Tobias Levin, they have created seven self-contained instrumentals enriched by vibraphone, xylophone and African percussion. Zemler’s stripped down mechanics and Kubin’s erratic electronics dovetail superbly. A sense of concentrated restlessness pervades the album – in the greater stream of things, some tracks come close to bursting their banks whilst others scale the loftiest heights of insanity. And yet – every movement, every tone fits perfectly. There is method to the madness, an exercise in systematic excess. |
