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“Vade Mecum” is the second full length from “Analog Technoids” Metal Disco. 10 staunchly analogue tracks, presenting a gritty maze of hard-hitting electronics with a retro-punk aesthetic. Starting out as a side project for Paradox Obscur main-man Toxic Razor, the Metal Disco hardware obsessed music and inspiration never moves far from a 80s, primitive-tech, post-ebm, Cold beat, proto-punk, synth-orgy.
The KVB release their 6th album to date entitled ‘Only Now Forever’. After intense touring their 2016 release ‘Of Desire’, The KVB returned to their home to further immerse themselves in sonic experimentation. The resulting Only Now Forever heralds the next chapter in the adopted-Berliners dark, electronic pop development.
Leere is an female wave solo project. Emptiness, loneliness and nostalgia of the postmodernism are represented in her music through the sounds of original 80s synth and drum machine, the integration of field recordings and industrial elements. She calls her music style violent romance, balancing between tenderness and anger, expressing love through pain. Daria Leere is a former member of dark-wave duo Monowelt, who’s haunted atmosphere stole hearts to many music lovers.
Convex Model is the new project of Nick K. Maldoror (a.k.a. Nick Kapantzakis, member of Human Puppets, Plexiglas & Dislocation Genders). The sound landscapes of Convex Model are created by analogue equipment, instruments and plastic toys. The project started with Nick K. Maldoror (synths/voice) and Stawi Rastlos (lyrics/visuals). Later, 3 more members were added, Laura Palmer (synths), Kyriakos Tsakalidis (drums) and George Mayo (bass). Life in a Glass Cube is the debut 8-track album by Convex Model that includes 4 re-mastered tracks from previous only on tape release “Intersecting Planes” and 4 brand new tracks.
Couteau Latex is a US-Swiss duo formed by Seth Sutton (Useless Eaters, Life Trap) and Lise Sutter (Maraudeur, The Staches). “Décadanse”, their first EP, comes after two 7″ released by Goner Records, an iconic figure of Memphis’s punk scene. Mostly recorded in 2015 between Switzerland and USA on a 4-track recorder, ‘Décadanse’ delivers mechanic and melancholic post-punk tunes, interconnecting European minimal synth and US punk traditions. Here, the bass is groovy and leading, the vocals are haunting, half-spoken/half-sung, the sound dusty. If we stoop to make comparisons, Couteau Latex reminds us some of our personal French idols like Deux, singing about the cigarette smoke left at night by a bunch of boys ” à la démarche fauve”… |
