Here’s the latest release of Katja Nielsen aka Katjusja, a Synthwave project from Sweden.
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Founded at the end of 2016 by three DJ*s, Rue Oberkampf combines 80s ecstasy with the atmosphere of fog-shrouded, strobe-lit dance temples of the techno era. The combination of urban electronic music’s gritty drive with Julia’s French-German vocals reminds some critics of a more forceful version of Deux or Kirlian Camera: yet at the same time it creates something entirely original.
When Push Comes To Shove is the seventh studio album by Soft Riot, the stylised musical alter-ego of Glasgow-based Canadian artist JJD . Resonating with references from all corners of the synthpop’s origins (DAF, Fad Gadget and John Foxx to name a few), Soft Riot’s latest release nonetheless manages to retain its own individual voice, melding and reinterpreting its antecedents with a personal twist and an impressive demonstration of synth-craft and programming. Following on from 2018’s The Outsider in the Mirrors, these ten tracks represent a change in themes and an evolution in production and sound. The forthcoming single and album opener “Taking The Edge Off” sets out the Soft Riot manifesto, a propulsive future-synth tale of forging ever-forwards in an increasingly noisy world. “It’s No Laughing Matter” is a hedonistic yet propulsive dance-floor slammer — shades of minimal synth and metallic Belgian new beat condense in side one closer “Fate’s Got A Bone To Pick With You” and the dizzying italo-matic muscle workout “Don’t Get Yourself Bent Out Of Shape” is the ultimate self-help smack down. Although there’s no overarching concept to the album, Soft Riot has used this release as platform to experiment with his own concept of “déja vu”, using minute details of musical phrases and lyrics that have been used before in previously released Soft Riot material, and even between songs on this album. Some of these mirrored details are very subtle and would only be picked up by someone who has listened to all of the material up until now. It could also be the underlying black humour of Soft Riot’s work, mischievously playing off the old saying “it’s all been done before”. The tracks were all composed in an extended hiatus from live performance between November 2018 and January 2019; a deliberate move on the part of JJD in order to foster a more focused creative atmosphere and allow for the writing process to have a more intuitive flow. This also allowed for a deeper exploration of sound design of his equipment, with this release utilising a range of different synths, something that reflects in the depth and richness of the new album’s sounds.
Longtime activists ART TEACHERS bestow to the world their utterance of Funk Realistique! Native to the periphery of an industrial hotspot in Central Europe the outfit models the world to their own conception. Realfunk, in that respect, needs no outright referring to its origins. Form and expression are skipping genre dictates and thus create another niveau. This elegant EP consisting of 4 tracks may whet the appetite for more…
The first longplayer by this Minimal Synth Wave band from Los Angeles. Image Of Life is a side project of the singer of the band PURE GROUND. [anost.net] |
