Now PlayingFactory Floor - Lying ( 2 x 12 inch - A Wooden BoxTune In     Song History
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In 2012 Claus Fovea self released a cassette containing 10 tracks, he was at his Swedish beginnings. 9 years later we re-discovered his tape, thanks to Sam. It still sounded so true and relevant to us that we decided to release it on vinyl. Claus then reworked some tracks, scrap some, and made few new. Florin Büchel mixed them down and Andrea Merlini mastered them. The result is a picture frozen in time, in between now and then, the struggle, and sadness, that fragile construction of hope shattered as time goes by, like nothing ever change. It is indeed, as he sings, just the same song playing all the time. Over and over.
Kostantyn Isaev the man behind the project Volta Cab and also Rambal Cochet is now part of the Waste Editions family. The St. Petesburg’s colorful artist has just recorded 6 catchy and powerful tunes which are heavily influenced by the new wave/post punk music of the late 80′s , especially by bands like Кино (Kino) and the Soviet space disco as well.
‘Places We Think We Know’ is a limited edition vinyl LP produced as part of Irish artist Mary McIntyre’s eponymously titled exhibition at Dundee Contemporary Arts, 2021. The compositions in this album have been produced by Martial Canterel in response to Mary McIntyre’s photographs and function as the audio component in McIntyre’s exhibition. For the exhibition, ‘Places We Think We Know’, DCA commissioned a body of photographic work, which sees McIntyre explore ideas of interior space, both physical and psychological. Accompanying these photographic works, McIntyre constructed a series of installations that intersect the gallery space in different ways to create bespoke environments from which to consider each image. The exhibition at DCA debuted a new suite of modular synth compositions by Sean McBride of Martial Canterel, made in response to McIntyre’s photographs. Within these new electronic compositions, unfolding connections between French Impressionism and cold analogue electronics are embedded with the augmented chords and harmonic structures of Ravel and Debussy. As part of McIntyre’s installations, Martial Canterel’s music is audible in the gallery at different times of the day, further enriching the experience of moving through the exhibition and engaging with McIntyre’s work. |
