At Temple Gate

“At Temple Gate” immerses you in a kind of shamanism of which the echo has long since been lost. It is an interstitial album which marries a modal ancestrality with the power of electronic soundscapes, revealing a duality, an incantation at the threshold of death. The Sound is what immediately strikes the listener, even before the Logos, the word, the music itself: “at Temple Gate” is an experience a kind of sonic ritual.

It is not the dead, these deities, who are terrifying, but the living and their ever more ardent desires to communicate with those whose bodies have spread throughout the cosmos into a billion particles of stardust; where we come from and where we end up, ashes to dust. “At Temple Gate” is evocative of all of this: the bait of Time, Cruelty, the bite of Sound.

Listen and order here.

Posted on January 6th, 2015 under Releases, ,

Creeper

Disko Obscura proudly presents the second release for Halloween 2014 -the self-titled album from Creeper.

This album is a soundtrack to a film yet to be made and showcases a range of haunted soundscapes that roll and creep through the night.

Listen and order here.

Posted on January 4th, 2015 under Releases, ,

Some More Terror

‘Some More Terror’ is a Soft Riot recording consisting of 11 tracks of instrumental, ambient-influenced synth sounds. It provides a slight detour from the more song-based, psychedelic synth-pop trajectory established with the previous album, ‘Fiction Prediction’, and where that synth-pop sound will go on that album’s proper follow-up to come called ‘You Never Know What Might Come Next’.

All of the pieces on ‘Some More Terror’ are mainly improvisations, or based on one-session jams with a small amount of overdubs. They were usually done late at night and in the dead of winter, in between sessions recording tracks for ‘You Never Know What Might Come Next’.

Some More Terror locks onto the atmospheric element of Soft Riot’s recorded material to date and isolates it in a new environment, freeing it from the structure and formalities of the world of punk rock and pop music. It offers an audio landscape that augments a feeling of unease and reflection in the chaotic world of late-period modern capitalism and the wheels of progress. The flow of the album rides a slow sine wave, with moments of anxious dread to warm, expansive slabs of calm and harmony.

o some degree it’s an album of political commentary, but one without lyrics and familiar audio cues, allowing the listener to fill the gaps with their own speculation. And where the music is more ambiguous, a more upfront approach is emphasised in the track titling and artwork of the album; perhaps a conscious effort to challenge the idea that ambient or soundtrack-oriented music is passive or locked in the trappings of “new age”. It could be considered Soft Riot’s own private and current version of “punk rock” for these reasons, as well as for that it was written from a place deep within. There’s a lot of strange and harrowing events going on out there in the world these days, but also moments of peace and beauty.

Listeners may find some parallels with classic synth artists such as Tangerine Dream or Cluster, or perhaps the classic era of early/mid 90s Kranky Records (Labradford, Stars Of The Lid), or even at times the micropolyphonal sounds of György Ligeti. As one publication has put the music of Soft Riot: “The music tells stories like the great “irritation” sci-fi cinema of the 70s and 80s. Solaris pop. New Age Wave. The Canadian Jean Michel Jarre of the London underground.”

Listen and order here.

Posted on January 1st, 2015 under Releases, ,

After The Last Frame

Here’s another digital release of this very prolific progressive-occult-ghost-wave solo project from Porl King.

Created from manipulations & interpolations of the soundtrack to suicidemouse.avi.

Listen and download here.

Posted on December 29th, 2014 under Releases, ,

Martial Canterel - Gyors, Lassu

Since his first live performances in 2002, Sean McBride, aka Martial Canterel (who also performs as half of the duo Xeno & Oaklander), has crafted his electronic sound in a peculiar intersection between avant-garde and pop. Merging the influences of the first wave of relatively unknown minimal electronic bands in northern Europe, and seminal industrial noise bands such as Throbbing Gristle and SPK, with the smoothly stylish songcraft of early British New Wave, Martial Canterel records and performs using analogue synthesizers, sequencers and drum machines exclusively, molding electricity to fix the action of music creation in substance. The mastery of his composition technique, a second nature of harmonic complexity, along with a unique talent for melodies, enables him to manufacture gems of extreme noise pop, making use of all its unexpected ingredients.

Gyors, Lassù marks an important milestone in the evolution of Martial Canterel‘s music, progressing far beyond the cages of “minimal synth” and embracing the noisier qualities of its sound with a renewed urgency, a kind of thickness embodied in multiple layers using only eurorack, Serge and Roland 100 modular systems at his disposal and flushing out the entire session in one take. Sine waves are rendered into walls of guitar-like noise on songs like “And I Thought”, while the stretching out and liquifaction of what were once very precise pointillistic staccato synth arpeggios are marshaled into layers of violent bliss on “Gyors/Lassù”. The analogue labor and the density of sound highlight the character of continuous performance of the music, where the intertwining of the artist and his work is profoundly material in its quality. As in a modern embodiment of the potter’s wheel…the hands, the texture of clay, with ceramic material. Translated lyrically and conceptually, music performance is for time what travel represents in space, and Gyors/Lassù is the sonic rendering of McBride’s wanderings between Hungary (“Bulvàr”, “Budapest II”) and the South of Italy (“Teano”), between vibrant rhythmic structures and melancholic instrumentals, balancing its bodily intensity with abstract experimentation against the regression of the modern listener.

Listen here and order here.

Posted on December 26th, 2014 under Releases, ,