Charlois welcomes back label inaugurator Dollkraut, this time in company with De Ambassade. The label grants permission for them to share this 10” and create their own world, so they can coexist and share stories about lost love, condolence and isolation. On the A-side they come together in a dark room anthem about sex, lust and worship. It oozes with cold, heart-stabbing melancholia, yet carries the artists idiosyncratic warm and crunchy sound. The flip side scratches open the wounds left by the first song and sees Dollkraut drop his soft touch. What follows is a hypnotic voodoo track, summoning dark spirits with unsettling synths, shamanic vocals and tribal Jewish harp.
Coming from different regions in France, Violent Quand On Aime’s members have joined forces to canalize their energies into something truly essential. Far away from hype and expectation they have created their own peculiar world. Expect a certain electronic griminess with hints of 90’s hiphop, postpunk alienation and an affinity for Musique Concrète. The overall experience is similar to the excitement one feels when hearing something genuinely original. This mini-album is the follow-up to their very impressive 7” on Le Syndicat Des Scorpions. What more can you say about a band called DEAD that hasn’t already been made abundantly clear at first glance? The fact that these French mercenaries of noise can conjure up such a powerfully dark aesthetic before even hitting a note is impressive, but when they finally do, they unleash a far more potent beast entirely. If DEAD aren’t already mapping out the future destruction of the planet, they’ve sure as hell written the soundtrack. Bleak, confrontational, but with a firm command of rhythm and deep grooves, this might be the dancefloor antidote we’ve been waiting for. (Electric Company UK) Wendy Bevan is a British Photographer, Musician & Singer, who combines a surreal and theatrical approach to her work. She has developed a unique cinematic world and style of her own making. Wendy’s free spirit and personality as an artist in the most authentic sense enables her to freewheel between genres. She believes in creating a universal language and balance in the crossover of disciplines. Her vivid and dramatic imagination reveals her immense creative, surreal energy as a story teller, conjuring an alternative, ethereal universe. Lowfish is back! The electro veteran, who’s been programming 808s since the early ‘90s, returns to Suction Records, the label he co-founded and debuted on in 1997, for his first release since 2011. This is suction046 – the “Hypersensitivity” EP. It’s been a while, but as the sprinkling of Lowfish compilation appearances – on labels like Analogical Force and Fundamental Records – over the intervening years have shown, Lowfish isn’t interested in radical changes; it’s all about quality and consistency. Flawlessly produced 808 drums, meticulously processed for maximum slam, combine with Lowfish’s trademark synthesizer melodies and heavily-manipulated dialogue samples… best heard on standout cuts “Apr294ms” – a melodic techno/electro dancefloor killer – and “Favourable Reports” – a slice of 808 synthpop with melodic nods to vintage OMD and Gary Numan. |