The Dancing Plague of 1518 is the electronic influenced darkwave/post-punk project of Conor Knowles, located in Spokane, Washington (USA).
Coming from an arduous two years of literal blood, sweat and tears – with gigs becoming infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage – every bit of drama, creative wanderings around Europe and sleep psychosis can be found within the walls of (A)Void Love. With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration. This is even more true with his newest record. There’s always been a thread of synth-punk, death rock and DIY noise running through all of Charles’ projects (Crocodiles, ISSUE, Flowers of Evil), however Crush Of Souls pushes harder and further into the darkness with (A)Void Love. After relocating from New York to France, Charles Rowell began stuffing his suitcase with various synths and samplers while taking cheap bus rides to bordering countries. While living out of a hotel in north east Paris, he played his demos for Third Coming Records who quickly released the Bad Trip EP in 2020. Concerts became more frequent after the pandemic, with the release of Spellwound and a few have become infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage. With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration. Semiotics Department Of Heteronyms is a synthpop / darkwave duo from Barcelona, Spain. |