Here’s the third album from Dataman, a minimal electronic artist from Thessaloniki, Greece.
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After 3 years from the first part, we are excited to release Surviving in Europe part two. The full project comes out alongside a fanzine printed in risograph and a c90 transparent cassette. Registered and assembled during the past 3 years, from 2017 to early 2020. Contributions from: The NE-21, Piska Power, Bop+lksmn, Le Chocolat Noir, How Green Is My Toupee, Mother Juno, Autumns, Savage Grounds, Silent EM, Celldöd, Mind&Flesh, Strangers For Love, Blind Delon & Black Egg, Huren, Kris Baha, Raw Ambassador, Unhuman, Infravision, Be Dellow, Zarkoff. “In a time of the new European nationalism, of razor-wire fences and renewed border Kontrols, mass immigration and homegrown terror, fear and insecurity, the suppression of internal borders of the EU is recognition that all the citizens belong to the same space, that they share a common identity.”
Death Domain aka Adam Stroupe is a science nerd from Baltimore and, like me, wears it as a badge of honor. His sound is undoubtedly one of the most bewildering, disorienting yet magnetic and infectious slices of downright bleak takes on synth-based dance music. A one man all-live-analog electronic ice machine (who is also behind ‘SIDS’ – Sudden Infant Death Syndrome). His sound is as cryptically raw as it gets – summoning the seminal Industrial/EBM sounds of early Cabaret Voltaire, Skinny Puppy, and The Normal.
One-man post-punk project from İstanbul, Turkey. Miserable music for miserable people.
Iceworks is the first full-length album from Icesun, a post-punk band from France. |
