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The duo “Her Absence Fill the World” makes music which sounds lost and chased at the same time. Inspired and driven by their different individual backgrounds from Ankara to Berlin, over the education in classical violin to self produced/played techno & EBM, their style conglomerates in a dark and melodic sound.
Sorry, Heels were born in Frosinone (Italy) in 2010. After two self-produced EPs, “Wasted” (2013) and “Distances” (2014), their first album, “The Accuracy of Silence”, was released on the Finnish label Gothic Music Records in 2015. “She” (Shades of Sound Records/Wave Records) is their new album due out in 2021. Various line-up changes mark a radical change in Sorry, Heels’ sound, abandoning rock standards and diverting their compositions towards electronic music, while maintaining references and sounds linked to new wave and early post-punk. “She” is imbued with dream and synth pop influences with ethereal and suffused atmospheres, it’s relaxed and sensual. Sorry, Heels’ new album “She” is a work entirely dedicated to the love journey of a woman who faces infatuation, falling in love, disappointment and frustration. Both the lyrics and the sounds were written in an attempt to evoke all the various stages she has gone through. Starting from infatuation (“Through the End”) through passion (“She Burns”, first single), rejection (“Something Real”), obsession (“Follow Signs” and “The Spell’s Ballad”), the loneliness of broken dreams (“My Doll’s House” and “Another Lapse”), repentance (“The Void”). And then it inexorably arrives at the acceptance that nothing will change: “The End of Desires”.
It is with great anticipation that we announce the release of LHs new Maxi Single titled “The last thing”. Luckily, Lebanon Hanover’s “Last thing” isn’t the last but the first impression of a full LP to follow later this year. Two beautifully melancholic tracks, allow us a glimpse into LHs private world of pure magic. Sonically the Single is capturing the vulnerability and at the same time the combustible energy of the duo. The enviroment remains morbidly romantic, while the distorted guitar reflects the sound of the distorted reality we live in. Lebanon Hanover once again capture the spirit of our time, the loneliness, isolation, alienation and digital anxiety of the individual, offering us the comforting acknowledgement that there is still some deeply sensitive music out there. And that should be enough even if it would be the last thing remaining.
A sterling collection of clipped and broken harsh noise sentence fragments from the nether regions of the pacific northwest. |
