Haunting three-piece from Oakland channels the spirit of Juju-era Siouxie, Euro synth wailers and the tortured souls of early humyns trapped in glacial ice.
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“Oak Wood” was a song received a couple weeks following the Ghostship tragedy in Oakland. The DAIS family lost one of it’s most beloved members, Cash Askew, and its song title is a literal translation of her last name; In Old Norse being Eiki (oak) Skogr (wood) thus making Oak Wood. I found the name to be symbolically poignant in light of the events and wanted this to be a tribute piece. The lyrics grapple with the existence of a god in a time of such utter sadness, hopelessness, and confusion. “Egress” is meant to serve as a faint departure or daydream; spaces I often find myself drifting to as a means of escape when disturbing thoughts cyclically plague my brain. Side A confronts the issue and Side B acts as a mental respite. Making instrumental guitar pieces has always been an act of meditation and I hope if only for a brief moment, the listener can wander and lose themselves within the sonic imagery offered in this piece.
According to Hall, “To function effectively abroad it is just as necessary to learn the language of time as it is to learn the spoken language”. Indeed, cultural interpretations of time are a foundation for all human behaviour. Therefore, we should consider modifying our approach to waiting to ‘fit’ the time orientation of each specific cultural context.
Memorias de un Continente is a collection to new style of Minimal synth, Synth wave, Synth punk, Cold electronics; In this proposal provides for excellent participation México, Brasil, Argentina, Colombia, Chile, Venezuela, Cuba y Perú included. |
