Welcome to the late night bedroom horror disco anthology. Every track is an episode of a series where the listener is taken through ghost stories, science fiction adventures, and creepy, unexplained events…
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Here’s the first release from Dancing Plague, a Darkwave/Post-Punk solo project of Conor Knowles from Spokane, WA.
Dark Entries is proud to release the debut album from Bézier titled ‘Parler Musique’. Bézier is Taiwanese-American musician Robert Yang who is also part of the Honey Soundsystem crew. A multi-instrumentalist, Robert grew up in Southern California then planted his roots in San Francisco in 2005. Over the years in SF he has built an impressive analog synth-based studio, which also serves as the creative hub for his riveting live performances. Parler Musique clocks in at over 52 minutes with 8 tracks are spread across four sides for maximum loudness. The album title is a French transliteration on the phrase “Parlor Music” and is evening music for a meeting of minds in a drawing room or a literary salon. To ‘talk about music’, the actual translation of the title, the album is a hotbed of ideas. Different genres are crisscrossed: punk, synthpop, jungle, new romantic, industrial and new wave. Airy melodies, surging arpeggios and symphonic breakdowns counterpoint cold digital drum sounds to convey beauty within inescapable and impending daily processes. The track titles for ‘Parler Musique’ zoom in on Romantic preoccupations with mystery, unknowns, depths–where themes combine to form an occult revelatory experience.
Straight out of underground Paris and right onto Pinkman’s Broken Dreams arrives Myn. The Public Systems label boss follows up a debut track on his own label with a poem about gloom, desolation and anger written in native machine language for the Rotterdam imprint. The A stanza describes a ‘Mental Outburst’ with punchy lines written in raw percussion and disconcerting 303 work. Following a line break the B stanza changes the meter from 4/4 to pummelling broken beat in a piece about power and dominance titled ‘Black Rose’. The Violent Poetry concludes with yet more deathly rhythms and spine chilling verses in ‘Core Collapse’.
Dave Inox explores the sounds of the pioneers of electronic body music and electro to reinterpret them in a vanguard and obscure way. “EBM is closer to techno….the industrial club scene misunderstands what techno is” -Douglas McCarthy- |
