Tune In     Song History
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The Spy debuts on Mechatronica with a dark, cosmic and hypnotising collection of tracks. On Snakeskin, the Dutch DJ and producer dips into electro, wave, techno, industrial and UK bass to mold an album that distinctly showcases his variety of styles and musical output, from gloomy slo-rollers to futuristic floor anthems and beyond.
Dedicated 21st Century polymath Kay Logan continues to expand her soundworld in every direction at once with her Helena Celle alias. A maximalist internal landscape of broken Jungle patterns, distorted synths and heavily warped instrumentation bent out of cognisance, If You Can’t Handle You At Your Worst, Then I Don’t Deserve Me At My Best is Logan’s most danceable, most fun and most gloriously congealed record to date.
Paradox Obscur is a synth electronic duo formed in 2014. The team is made up of prolific producers Toxic Razor & Kriistal Ann, who both share a love for recording electronics in realtime to deliver their unfiltered unique electronic sound. This is not your typical electronic duo, they experiment and do not feel the need to move around in the shadows.
Cosey steps right out of the screen of a crackly old vhs to deliver her second release of heels and leather groovers, lifted straight from the sticky dancefloors of smoke stained clubs of the 1981 you wish you partied so hard in you forgot to remember. Driving, crunching and grinding through eight sassy tracks, the conveyor belt of analog tunes is constructed on a foundation of vintage synths and sequencers. Vocals, ice cold like a frozen strawberry daiquiri, guide you through the club to the jukebox next to the cigarette machine so you can pick out that track you like, the one with the spontaneous uplifting guitar hook that comes out of nowhere and kicks like that pill you forgot you took back in 1981. [Daryl Sulfate, Diät] |
