Marble Slave is a solo project from Paris, born from sleepless nights and unspoken feelings. In between nostalgic synth pop and dreamy new wave, he finds his own voice to narrate the fragile and meaningful moments that define a life.
Now PlayingDie Perlen - Who Is To BlameTune In     Song History
|
With his infectious bass and poignant synth lines, interwoven with themes around the complexity of modern day living in an often impersonal world, Crystalline Stricture’s pure analogue sound is beautifully constructed and played from the heart.
The duo “Her Absence Fill the World” makes music which sounds lost and chased at the same time. Inspired and driven by their different individual backgrounds from Ankara to Berlin, over the education in classical violin to self produced/played techno & EBM, their style conglomerates in a dark and melodic sound.
Sorry, Heels were born in Frosinone (Italy) in 2010. After two self-produced EPs, “Wasted” (2013) and “Distances” (2014), their first album, “The Accuracy of Silence”, was released on the Finnish label Gothic Music Records in 2015. “She” (Shades of Sound Records/Wave Records) is their new album due out in 2021. Various line-up changes mark a radical change in Sorry, Heels’ sound, abandoning rock standards and diverting their compositions towards electronic music, while maintaining references and sounds linked to new wave and early post-punk. “She” is imbued with dream and synth pop influences with ethereal and suffused atmospheres, it’s relaxed and sensual. Sorry, Heels’ new album “She” is a work entirely dedicated to the love journey of a woman who faces infatuation, falling in love, disappointment and frustration. Both the lyrics and the sounds were written in an attempt to evoke all the various stages she has gone through. Starting from infatuation (“Through the End”) through passion (“She Burns”, first single), rejection (“Something Real”), obsession (“Follow Signs” and “The Spell’s Ballad”), the loneliness of broken dreams (“My Doll’s House” and “Another Lapse”), repentance (“The Void”). And then it inexorably arrives at the acceptance that nothing will change: “The End of Desires”. |
