Pyramid Club - Cyclic Obsession

Joining the Unknown Precept forces are C.G.I. Records’ label head Matthew Weiner teaming up with Christopher Daresta as Pyramid Club. Being known for their T.W.I.N.S. and Anticipation solo activities, ‘Cyclic Obsession’ comes as the debut release of the four-handed formation taking its name from the eponymous venue which helped define the counter-culture and queer sound of lower Manhattan in the late 70’s.

Recorded in their stronghold of Atlanta following a handful of tracks released via the jointly-operated D.K.A. Records, it shows the duo taking over primitive body music in its most physical and psychedelic dimension. Thick as a brick bass lines for the basement turmoil — reflecting the hazy vortex smoldering out of an ill-lighted nightclub. Think of spasmodic synth-driven tunes interspersed by convulsive vocals and throbbing snares, in which one could see the whites of the dancers’ eyes right before the lights turn back on.

12″ / Digital Album

Posted on April 10th, 2017 under Releases, ,

Spirit Bunny - Self-titled

Arriving brashly via circuit-bent Casio keyboards and buzzing Commodore 64 synths, Brisbane experimental pop three-piece Spirit Bunny present their cacophonous self-titled debut LP.

The band has been together since 2013 and the debut LP is a strong representation of their manic live sets. The record contains a combination of high energy, frenzied synths and chaotic drums that have been masterfully articulated to make great songs with pop formats.

LP / CD / Digital Album

Posted on April 8th, 2017 under Releases, ,

Màquina Total - Estàtua

For some time now, I have been praising a series of both individuals and labels devoted to rescuing hidden gems from the past. The merit of this archaeological task is twofold: discovering music treasures unfairly ignored so far and take them back to the future in magnificent formats for everyone and their mother to enjoy. It’s almost social work. Often, these labels will take a risk and lauch present-day acts without betraying their back catalogue. This is the case, among others, with Domestica and, especially, with its latest release Màquina Total. The first time I listened to them they blew my mind up. I’ve been collecting obscure records for some years: records that travel along grooves full of synths — synthwave, coldwave, darkwave… I am on a terminal loop where synthesizers — dark ones if possible — have kicked guitars out of my personal podium. This must be the reason why I had an actual orgasm when I first listened to Màquina Total. The orgy of synthesizers and vocal melodies to be found there spoke of a promising future. I thought: “These guys should get a record released by Domestica”. My fleeting thought materialized in a limited edition silver foil wrapped cassette released in 2015. The undisputed hits on the Bandcamp demos — like Palmeres and Megatron — had multiplied in this new effort. That mysterious finding had at last an identity: body, soul and even photographs. The mastermind behind Màquina Total was Virgili Jubero, a guy with a special sensibility for melodies and refined embellishments. Urbanització Esmeralda or Sol a Cancún were enough to pronounce Màquina Total a HIT, in uppercase.

A meteoric rise and a cycle that reach today a new level with the release of this first album — a splendid collection of both anthology hits and new achievements. It is enough to listen to a couple hits to understand two things: they are a hidden treasure and they will soon stop being so. Fortunately, this technified and globally connected world of ours will place Màquina Total where they belong: in the top league of synth bands able to make hits which transcend their own scene. A record and a band apt to stand on equal terms with international milestones, a pleasure for unadulterated pop lovers, a collection of hits to be equally enjoyed by fans of The Human League, John Carpenter, Spandau Ballet, Sebastian Tellier, Martin Dupont and Chris Isaak. A record which is already a serious contender for the Record of the Year tag.

You are all welcome to the unique and inimitable synthesized universe of Màquina Total, a place you won’t be able to leave anymore.

LP / Digital Album

Posted on April 6th, 2017 under Releases, ,

Egoprisme & Mode In Gliany

Tonn Recordings independent record label based in Belfast, founded by visual artist Mary McIntyre, passionate about electronic music, equally attuned to analogue and dedicated to the beat digital, conscientiously committed to contemporary cold wave and select synth.

A nervous guitar, hypnotic loops, a grave voice. With great reinforcements of arpeggios and drum machines, Egoprisme builds a synthetic universe with cold wave accents in a dark, hybrid and mesmerizing atmosphere.

The “Mode in Gliany” (wordplay with the Italian painter Amedeo Modigliani) started in 2013 after discovering the work of “November Növelet” the web, “a big blow” as we say. Attracted by the cold colors of their synthesizers and its underground voice, was produced a “slow and painful” style of music.

Digital Album

Posted on April 4th, 2017 under Releases, , ,

Das Ding - Dream Decay

From Rotterdam, Netherlands, here’s the latest release from Das Ding, a purveyor of electronic music since 1980.

7″ / Digital Album

Posted on April 2nd, 2017 under Releases,