eNiB ‎– Cut

Strong colors with shades born from black, passing through purple and into electric blue for a musical experience ranging from coldwave to electro dark, from minimal wave with touches of techno noir and synth wave up to industrial holograms. The artistic experience is not enough to limit the fence in which eNiB moves, a singer since 2013 in the seminal Roman post-punk band of Echoes of Silence.

The opening words are a call-to-arms with those who are not satisfied with everyday life and its contemporary banality. There is much more to discover beyond the fence, there is much more to experience by not being satisfied with the typical malaise of those who suffer the discomfort due to “political correctness”, the clear distinction between black and white, to embrace the comfortable and comfortably insensitive, disturbed flow of life.

CD / Digital Album

Posted on June 17th, 2020 under Releases, ,

Augustus Muller ‎– Machine Learning Experiments

Augustus Muller (Gus from Boy Harsher), releases two original scores through own label Nude Club records. The films, ‘Orgone Theory’ and ‘Hydra’, are Muller’s first foray into scoring. Both films were produced by UK based collective Four Chambers.

Four Chambers, or A Four Chambered Heart, produces adult material that focuses on DIY practices and non traditional bodies and narratives. Four Chambers is self-described by creator Vex Ashley as “deliberately ambiguous, rejecting labels for both (the) films and performers, existing in-between genres of both art and pornography and dismissing the need for a definition of either.”

After a successful collaboration between Boy Harsher and Four Chambers, with the film Archetype, Vex sought a direct collaboration between Muller. ‘Hydra’ is a short, sci-fi experience studying invasion and consumption. Muller’s score delves into the film’s dystopian attitude, utilising eerie industrial tones and wet synthesizers. ‘Orgone Theory’ takes a more dogmatic approach: sexual scenarios confined within a metal box simulating the Wilhelm Reich’s orgone accumulator. In ‘Orgone Theory’, Muller embraces more of a rhythmic preposition, referencing the film’s dynamic subject matter and alluding early work by Patrick Crowley.

There’s no need to confine the score to particular genres, yet for context – within these tracks, Muller combines disparate soundscapes, melancholy drone, and minimal synth.

LP / CD / Digital Album

Posted on June 16th, 2020 under Releases, ,

ADULT. ‎– Perception Is/As/Of Deception

ADULT. make a triumphant return after their 2018 album This Behavior, dubbed “…one of the best records of their career…” by Ryan Lathan of Pop Matters. This chilling continuation takes the form of Perception is/as/of Deception, an anxiety fueled cyclone of pandemonium that only ADULT. would know how to harness. While This Behavior was recorded in the isolated snow-covered woods of northern Michigan, Perception is/as/of Deception was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications.

With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces that make up Perception is/as/of Deception might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more “head-on” approach.

Tracks like Have I Started at the End successfully maintain the duo’s classic EBM signatures and synthesized aggression, cradled by a suspicious mantra that questions….what’s the point? Why Always Why offers a disorienting mutation of the heralded sounds of classic dance music, like a remix that escaped prison and is on the run. The dystopian anthem, Total Total Damage, comes in full force with an frantic energy which jolts any bystanders to attention, with only the defiant chants of Kuperus’ vocals outlining the ever-degenerating state of societal affairs. The dramatically glam synth parts scattered throughout the album, while at times ominous in nature, seem to also act as a merciful reminder that through the journey of Perception is/as/of Deception, one can still enjoy the chaos.

With the rampant sense of emptiness on the minds of many these days, there continues to be few attempts at scoring these common, unfortunate human qualities with pure sincerity. Thankfully, ADULT. has a long-standing reputation for creating the soundtrack for our insecurities, and Perception is/as/of Deception further solidifies their apprehensive position.

LP / Digital Album

Posted on June 15th, 2020 under Releases, ,

Nite Fields ‎– A Voyeur Makes No Mark

Nite Fields is an experimental / art-rock / electronic / post-punk / shoegaze band originally from Brisbane, Australia.

LP / Digital Album

Posted on June 14th, 2020 under Releases, ,

Maman Küsters ‎– L'Extase & La Terreur

The Maman Kusters collective, based in Brest, brings together all kinds of noisy individuals scattered across the wide world, and offers to listen to mp3s of scandalous roughness and power, which evoke piles of peeled and macerated electronic instruments, as if Kraftwerk and DAF, from grim memories, had stuck their fingers in the sector and started fiddling with electronic music without washing their hands.

12″ / Digital Album

Posted on June 13th, 2020 under Releases, ,