Visage Musique is proud to present its first release of 2014.
Limited Edition of 250 on 180 grams vinyl.
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Perte d’identité, which translates to “loss of identity,” is the debut LP by composer, singer and poet Marie Davidson, one of the finest artists rising from the electronic dark-synth scene in Montreal. Her voice is a stark half-spoken monotone which will tell you stories from which you can’t escape unchanged. With this release, she refines her storytelling with suffocating tales that are both intimate and melancholic. Meanwhile, her miraculously human electronic rhythms are as frantic and hypnotic as an intense stare. In her premier full length album, she invites you to take a look in the peephole, revealing a fascinating cinematic picture. What you will be shown are the parts of yourself which you’re scared and ashamed of, but also the ones that reveal a haunting and glamorous sensuality. Not only will she spin you a tale, but her music will immerse your soul in images of sweet anxiety. “This album is about romance and a quest for meaning.” Limited to 300 hand-numbered copies. 140gr black vinyl, 300gr deluxe cardboard sleeve with embossing and inside printing.
Friends, today we find the tape and digital release of the follow-up to Unur’s two previous Modern Tapes Eps/Genetic Music 12″. This is the first proper full length to come from this nomadic one person band. 13 new songs of further evolved post-wave noir, created from an eclectic mix of vintage and modern analogue synthesizers washed with a haze of ever increasing guitar buzz. This is the next step.
Finally a new release on Walhalla Records, specialized in re-releasing Belgian and Dutch minimal synth only released on tape before. After 3 highly acclaimed – and completely sold out – volumes, here is number 4. Again a very fine selection of old and new tracks for the first time ever on vinyl. This time one side old tracks and one side new tracks. Listen here and order here.
We are very pleased to introduce you to Prolife, an anti-suicide band formed out of the ashes of death rock enthusiasts and label alumni Slug Guts. After Slug Guts’ last U.S. tour, James Dalgliesh (vocals) and Nicholas Kuceli (saxophone) returned to their flat on Lygon St. in Melbourne, Australia and decided to buy some pedals to make noisy landscapes for the modern asthmatic gentleman to lie awake to at night. Using toy keyboards (and some real ones) they developed minimal two track techno into a set of sprawling song based sets and played some shows with Jonny Telafone, Forces, Asps and Lakes. Their first proper release, this 7-inch, was recorded and produced by themselves with the help of Todd Dixon, who has specifically asked not to be named here. |
