Here’s the second release from Sam De La Rosa, a founding member of Led Er Est and The Coombe, from Austin, United States.
Now PlayingQEK Junior - 1/0Tune In     Song History
|
Montréal synth pop Police des moeurs are one of the finest and rawest bands in the minimal synth/wave and cold wave scene. ‘Dédales’, their third full lenght, is keeping the pure energy of their previous efforts while leaving greater room for atmospheric and textural considerations. The album will lead you into the passage zone between civilisation and wilderness, a mysterious place where truth, lies, light and darkness collide.
Here’s the latest release of Alessandro Adriani, the head of Mannequin Records, also known as Newclear Waves.
Back in 2011, Chicago’s Beau Wanzer reshaped the angry body-music of the now-defunct Houston duo //TENSE// with an 8 minute claustrophobic TR-909 workout. The track never saw the light of day on vinyl… until now. Wax-Trax era sounds fused with Wanzer’s grit. Guaranteed to pummel.
After some acclaimed productions on Unknown Precept, PRR!PRR! and Mannequin Records, we are really excited to announce ‘Laugh Tool’, the debut full-lenght of Maoupa Mazzocchetti, pseudonym of Florent Mazzocchetti, young and talented French producer based in Brussels. Maoupa Mazzocchetti is finally bringing back to life the earlier days of electro-industrial, in a mixture that is very close to the late 70′s/early 80s period of Fad Gadget, Throbbing Gristle, Portion Control, Cabaret Voltaire and Front 242, crossed with the more fresh and innovative deep electronic experiments of Beau Wanzer and Charles Manier. Strongly addicted to a DIY ethic, and so to a punk ideology and anticonsumerism, most of Florent’s releases are recorded in his bedroom without any professional equipment, using analog synth and sequencers, modified drum machines, tape loops and a load of pedal effects. Florent started to experiment with the rhythm since his early age. Developing a passion for the drums at the age of 10 years, soon after he was moving to rock records and guitar, which became his instrument and one of the keystones of his perception of music. Florent approach with rhythm and drums was never traditional, making him feeling more a researcher than a musician. To an audience of contemporary electronic music consumers, who had only closely followed techno, electro and disco, the sounds of ‘Laugh Tool’ will appear unearthly, entirely unexpected, withering comets of strangeness. A 10 tracks album ready to change their minds.. |
