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DKA is proud to release the third compilation in the DKA Tape Programme series. DKA gathered twenty three artists on the cutting edge of the electronic music scene. You can feel the pulse of fog filled clubs around the world in these twenty three tracks. DKA Tape Programme Vol. III is a deep dive into EBM, Industrial, Noise, Minimal Synth, Acid, and Post-punk. A diverse collection of tracks from wonderful musicians that deserve to be showcased.
Autumns returns to DKA with a second cassette called “Foyle Living”. Hot on the heels of the full length “Shortly after Nothing” released on Death and Leisure. This tape showcases the more experimental side of Autumns. Eight songs culled from recording and practice sessions that combine the aesthetics of early Cabaret Voltaire and Throbbing Gristle pulse with a dissonant energy. Autumns draws from a negative almost nihilistic approach to music. The hard EBM and Techno he produces pummels the audience while filling the dance floor. Over the punchy kick drums and minimal basslines, Christian’s voice flows through distortion and echo without restraint. To see Autumns, live is akin to witnessing an electronic equivalent to a Birthday Party show in the 80s. Like a young Nick Cave, Autumns end goal is a state in which the artist and audience gives into animal abandon.
DKA is extremely excited to present the new 12″ EP from Collin Gorman Weiland, “In My Shattered Vase.” Having previously released some of our favorite music on labels like Downwards and Jealous God, Weiland’s new offering features 3 originals from the Minneapolis native + 2 edits from Germany’s Mick Wills and a remix by DKA co-founders Pyramid Club, this is a journey through textured murk, melancholic musings and deranged rhythmic euphoria, distorted drums clash against harsh tones to create an environment both familiar and completely alien, grounded by Collin’s deep, dead pan spoken word. For the b-side, Mick Wills revisits Collin’s track from our previously released Strategies Against The Body vol. II LP compilation. an amazing yet utterly un-DJ-friendly track Mick has wrestled with and wrangled into an extended late night dance floor slayer. This is followed by Pyramid Club’s reinterpretation of “Ballet Of Pose” from the A-side, stripping it back to it’s most percussive elements and propelling it forward with a steadily snowballing momentum.
DKA’s newest addition to an ever-expanding roster is from a mysterious NYC duo. Videograve and DKA first started relaying information back and forth several years ago via the Internet. With deep cuts of industrial funk drawing from Cabaret Voltaire and Severed Heads, the minds behind DKA knew they had to work with the disembodied duo that rarely appear live. Videograve submitted the standout track “Dead Men Floating” to Strategies Against the Body II and DKA vowed to work with them again. Now Videograve have followed up with Flatphreaks. Ten tracks of deep industrial bangers that sound like Test Dept or Portion Control working on tracks for Janet Jackson during the late 80s. Imagine a lost Belgian new beat 12inch crossfading into an Ike Yard record on a booming sound system. Like their name suggests, Videograve explores the dark side of modern technology. Flatphreaks came about thinking on screen-culture: Faces literally buried into screen-fire-flatness a die in diem, bodies are emptying themselves out into the cloud, 5 years becomes 5 seconds. Time becomes junk, life is expanded and shortened, bodies are flattened out and stretched into information infinity. Anyone is anywhere-at-any-time. As screens become more engorged with the world in an attempt to utterly describe it, the macrocosm beyond it becomes darker. Paranoia takes root, a reality once trusted becomes a thing mired in deceit, up-rooted by the network. Everyone is a flattened, disfigured phreak in the new-world-network. Videograve’s fourth release is a 10-track industrial synth pop album greased up in machine melancholy. Flatphreaks constructs an amalgam of writhing, rubbery funk riffs and somber melodies on a foundation of signature punchy percussion and creeping rhythmic elements. These tracks highlight moments of music and sound design improvisation, and focus on raw, broad edits by ear over strict sequences on the grid.
DKA is proud to welcome CRT to the label. The solo project of one Michael Keenan (MPKJR), CRT is no stranger to the stages of Atlanta. MPKJR has been heavily involved in the Atlanta underground for well over a decade. CRT is Michael’s foray into modular electronics that blends together a well-versed mix of Industrial, Techno, and EBM with echos of raw punk. Sparse dead pan vocals mix blown out kicks and angular metallic noise to create a harsh 80’s-tinted acid-drenched landscape . Skeletal funk ala Severed Heads or a smoked-out basement remix of Headhunter laced synth punk aggression with shades of Screamers (the video for “Blister Pack” paying homage to the Target Videos of yesteryear) blended with a few tragic vocal hooks a la Nervous Gender are tearing through the fog on this release. CRT emerged from Atlanta’s punk, noise rock and electro scenes through playing in bands like Electrosleep Int’l, Hawks, Airoes and Youth XL, unabashedly wearing the sonic influence of bands like Chrome, Six Finger Satellite, Rusted Shut and Brainbombs firmly on the sleeve. |
