Tune In     Song History
|
The Serfs are a deliberately nebulous and incidentally industrialist gang of dance-floor hymners – perturbed and tranced-out troubadours whose sound and musical ideology seems to be a causal manifestation of their immediate environments. Like their Ohio predecessors, The Serfs seem askew from the art that surrounds them, and proud of it.
Minimalnoisepop – pure german underground. DAF meets Einstürzende Neubauten. The absurd becomes normal, the normal becomes absurd.
Riding the cold wave of success after a self released tape and her debut LP, one woman weapon Cosey Mueller returns with release number three. Straight down to business, Softcore sees Berlin’s favorite femme fatale evolve the vintage synthpunk sounds of her previous cassette and vinyl releases to reveal lusciously textured soundscapes for a mature, confident long player that is polished yet playful. Ribbed and studded with sassy statements and cheeky guitars riding the cynical synth lines, Softcore thrusts back and forth in time between the experimental DIY spirit of 81/82 to the industrial dance heyday of 86-89. An instant classic as fresh as the cool night air. (Daryl Sulfate – Diät, Das Nest)
Plague Pits is a collective from Bern, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. Digital Album [free download]
Citirax is excited to introduce the debut LP from the Los Angeles-based duo OP-ART, a project born out of the creative isolation of the lockdown era. The band, the brainchild of Andrew Clinco—known for his work with Drab Majesty—was originally named using the acronym “Oblique Pleasures Amidst Rough Times,” a nod to the challenging times that inspired its formation. In Andrew’s own words, the album “represents a sonic analog to the visual art movement of the 1960s,” meaning it is both densely layered and psychedelic, yet aims to capture a sense of minimalism in its tradition, theory, and conceptual approach. OP-ART’s sound is heavily influenced by the New Wave genre, drawing inspiration from artists such as John Foxx, Martin Dupont (with whom Andrew has collaborated on a track), Experimental Products, and early OMD. True to their commitment to authentic analog sound, OP-ART eschews digital plug-ins in favor of a wide array of analog synthesizers and outboard rack effects units. The album features a diverse collection of synthesizers including the EML 500, Arp Odyssey, Arp Omni2, Jupiter 6, SH-02, SH-101, Moog Rogue, and Roland Promars. Each piece of equipment contributes to the album’s lush, rich soundscapes, creating a tactile and immersive listening experience. The Final Act, the title of the LP, is a testament to the duo’s ability to blend catchy melodies with profound emotional depth. The album offers an introspective journey through themes of time passing, romantic entanglements, and existential reflections on an apocalyptic scale. With its evocative sound and thoughtful lyrics, The Final Act promises to resonate deeply with listeners, making it a compelling and significant debut from OP-ART. |
