Mario G. Ferrer (Asphalt!, Metronique, SMFORMA) and Oriol Rossell lead the new era of the originally formed trio Dead Normal, which delivers one of the best of the best European industrial and noise sounds with clear reminiscences and influences to classical genre saint grials like Haus Arafna or Genocide Organ, but with a modern twist that makes it sound not classic but fresh and new thanks to a mind-blowing use of breakbeat rhythms that evoke the listener in some passages to the very best days of dark trip hop as well, resulting all that in one of the most surprising and avant-garde proposals of the recent years coming out from the very active industrial spaniard scene.
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Lust Pattern slithers its way to Dark Entries with four tracks of deviant electro-wave on Stand, Scatter. Ryan Ambridge has graced Dark Entries several times via his project Linea Aspera, a revered coldwave revivalist duo with Zoe Zanias. As Lust Pattern, Ambridge draws hypnotic paths through the reverb-laden halls of post-punk and electro-funk, coursing in a gait uniquely his own. Built up from improvised jams, the four cuts on Stand, Scatter defy neat categorization while spanning a wide breadth of genres. Opener “Forming Lines” features Drexciyan squelch, silky guitar, and bursts of live drumming; this sounds like a lot, but it coheres into a perfectly simmering stew of funk. “Choreography” preserves the aquatic vibes but bumps the tempo up into space disco territory, complete with laser bleeps and Moroder-esque pads. It’s a mark of Ambridge’s craft that closing track “No Floor” – a searing motorik synth punk jam that recalls Suicide at their finest – sounds not at all out of place, but rather serves as a logical conclusion to this illogical picture. Stand, Scatter drifts across genres but never loses its focus on the unorthodox groove. Part three of a triology, originally recorded as a whole. Released in three parts at the end as a hommage to the tape underground of the 80s. Traurig schauen die Berge” combines a homerecording sound with sureal lyrics that reflect living in rural Switzerland. Diving into a odd walk of inner repetitions. A friend called it Föhn Wave. A strangely warm Wind from the Alps. There are tales and studies about the Föhn driving people mad. Inducing headaches at least. Where I live is plenty of föhn. I tried to get into a coherent world of phonetical thinking. All decorated by two neglected consumer class synths. The Yamaha TQ5, that looks like a telephone answering machine and the Korg DW6000, the last cheap analog polysynth from back in the days. Raderkraft takes you on an introspective journey to the darkest corners of the human mind with his 4th release called “Politiestaat?!” The icy synthesizers, hypnotic rhythms and piercing vocals weave a story with the central themes of fear, misunderstanding and rejection. Raderkraft brings his signature sound, a unique mix of raw energy and refined minimalism, back to life. This time only up-tempo songs, partly in Dutch and also including a remix plus a French cover. It also -finally- marks the release of the crowd favorite “De Witte Streep” (in remastered version) on vinyl! The lavish lyrics reflect a sense of rejection in an indifferent polarizing society. This mini album will make you think, feel and finally realize that we live in turbulent times |




