Couleur Brique, third album released by Born Bad for one-man-operation Usé, opens with a coughing fit spurting on a piano, while a guitar gently dies in the back of a hangar. The connoisseur will rekindle fond memories of his underground hit “ampheta-amphéta- amphétamine”, this time to warn us about the “chef d’é, chef d’é, chef d’é-tat”. We won’t know what he had to spit about to the president, but he’s got some left on his trousers. Usé literally punches songs, beating the snare drum to celebrate a lover that bites and claws. It’s mostly about boy-meets-girl and tough love in these seven romances that taste like beer chasing uppers, and end up in the back of a van. Praise be, to the melodic effort, supported by layers of sharp and bitter synths, and a straightforward vocal performance. It’s a ride in forsaken land, beer in hand, documenting horny guys at the fun fair, late evenings in a shabby pub, and dirty sheets. Here and there, when least expected, flashes of unpretentious drunken wisdom hit the spot. The record is fueled by the broken drummer’s energy, but also a verified writing effort. Those songs will be sung, bonded in the wastelands, to fight against buzzkill. Once active in local politics, Nicolas Belvalette settled down for acting, recently starring in “Tout fout le camp” where he plays his own role. But he’s at his best on his turf, small rooms and scroungy festivals, where the great romantic weirdo spits on his tits, crawling under a raving audience. You’ll have to buy the record if you want to get the lyrics, because at a gig, it’s hard to follow when you’re busy figuring out whether it’s sweat, piss or beer that’s connecting you to your neighbor. A fine collection of autumn tunes to get wasted, start a bar fight with new friends, and fall asleep on the counter with no shame. Five new Ostseetraum songs can be heard on Mondmenschen EP. This time you can also hear a real drum kit, a bass guitar. A guitar is also included. In one of the songs you can also hear synths and a drum machine. In the first song you are not seen and in the second song you are trapped. In the third song you are a moon man and there is no more pain. In the fourth song you are empty and the little people are spreading in the last song. Die Mondmenschen EP as 7″!!! Made by Dylan McCartney at the attic in the village by the cemetery with ancient tapes, several drums, two or three synthesizers, a bass guitar, shakers of a few sizes, a cowbell, a century old bugle, a broken melodica, two tambourines, the “thing”, a harmonizer, a destroyed contact mic, barely functioning buzzing amplifiers, sounds of the 1401, two warped electric guitars, a hand drum from my late uncle Gordon, a computer on the brink of a fatal crash, consumer grade microphones, a truculent flanger, a few bottles of ouzo, a bevy of self-induced paranoid delusions, bridges between Cincinnati and Kentucky, the companionship of a frightful cosmic tale, the solitude of the forsaken spot, vivid and visceral nightmares, red lights, night rides and poisoned air. |