Dune Messiah - Moments Of Bliss

Dune Messiah develops misanthropic persona on the new album Moments of Bliss. The Danish folk-noir artist Dune Messiah, unfolds a universe of black romance and mysticism. On March 29, he is publishing his second studio album “Moments of Bliss”, through French label Third Coming Records and German label Aufnahme + Wiedergabe.

Throughout the album we get to know a kind of isolated character express his bitter emotions and pity for humanity. A misanthrope who is outside the common society and sometimes with a sense of jealousy tries to reach out towards it. The character often finds himself hopelessly in love with a female figure, or in hateful envy and with a burning desire to destroy or degrade the female figure as a reaction to this. In the song Silence and Surrender, the man behind Dune Messiah, Magnus Westergaard sings: “They say that forgiveness is a way to be free, and Jesus told us all just to turn the other cheek, within silence and surrender, there has been a way of showing you the faces of the people you betrayed”.

The overall theme of the album thus deals with escapism and exclusion from society. An escapism that can also unfold in abuse of substances. Hence the inspiration for the song A Moment of Bliss, Westergaard explains: “The song’s lyric side has two themes; a cross-over of a state of deep meditation, seeking an inner peace, and a state of escape through heroin abuse, which can give the same sense of inner peace, but which eventually may lead to death. The title of the album Moments of Bliss, therefore also has an embedded ambiguity; a mystery that can also be reflected in the unfathomable smile of the misanthrope. The title is very much self-ironic i think”.

LP / Digital Album

Posted on July 30th, 2019 under Releases, ,

Crystal Cage - III

Based in Finland, theirs is a sound described as a combination of black metal, early 90s techno and jungle, with some Gothic minimalism thrown into the mix. In the vein of 80s UK group Cranes. Cage tell me this informed the vocal structure and style of the first album, and the later blockiness of the structure, usually without a chorus, because they say everything is the chorus.

The music released under the project morphs stylistically as it develops. The most recent material of which channels influence from the Berlin school, notably of Tangerine Dream’s Edgar Froese, with drone, industrial and noise elements thrown into the sonic soup. [Darkfloor.co.uk]

Digital Album (free download)

Posted on July 28th, 2019 under Releases,

Identified Patient & Sophie du Palais - Don't Exclude Anything

Identified Patient and his notorious femme fatale are back with another record of deranged darkroom anthems for Pinkman. This 12” is where crunchy drums and heavy bass are laced with aggressively seductive vocals by Sophie Du Palais. While the theme of the songs, compared with their previous record, goes in a rather kinky direction, the raw ferocity that never fails to grip a dance floor remains.

EP / Digital Album

Posted on July 26th, 2019 under Releases, , ,

Five Years of Tears Vol. 2

Pinkman delivers another sturdy record for the connoisseurs of discomforting electronics. The second 5 Years Of Tears release unifies 6 artists, each with their own interpretation of the labels ill-famed sound, embodied in vibrating basslines, metallic beats, and corrosive acid. Gear yourself up for yet more nerve-racking music and get accustomed to the obscurity of this series of releases, because the madness is all but finished.

EP / Digital Album

Posted on July 24th, 2019 under Releases,

Eleven Pond - Drive

DRIVE // past Eleven Pond albums were named after sculpture genres, this one is not. the ‘Drive’ title comes from an obsession with vehicles and the freedoms, experiences or excitement they brings via sports car, truck, motorcycle, scooter, race bike , stunt jet, submarine, etc… but it also has to do with a drive to find love, something much harder to acquire than fast objects.

CD / Digital Album

Posted on July 22nd, 2019 under Releases,