Marking just over ten years since the original No Longer Stranger EP back in early 2011, it’s now been a decade since Soft Riot has been in existence. And on that touchstone comes the newest release called Second Lives, a compilation album featuring a collection of eight tracks of previously released tracks from obscure singles on various compilations, re-worked versions of previously released older tracks as well as some unreleased material.

Originally the concept for such a release was to be a more comprehensive archive of unreleased material that has been collecting over the past decade, including demos, odd bits and other ephemera, but with this final version as Second Lives, sees the release fine-tuned into an album of its own right, focusing on key tracks and bringing out their strengths, updating old tracks — often ones that are still played out live — to give them new life and perspective.

CD / Digital Album

Chin Up is the eighth album by Soft Riot and a unique one in the Glasgow-based Canadian artist’s catalogue. Written mostly at the same time along with the material pressed onto his latest album, When Push Comes To Shove (Possession Records, Nov 2019) — it’s a very different sound, tying in more on a different trajectory of the artist’s output that includes 2014’s soundtrack styled album Some More Terror or even Soft Riot’s initial release, 2011’s No Longer Stranger.

Chin Up contains 11 tracks of what might be loosely described as “ambient synth pop” with a running time of almost an hour. It is in a way a mirror release to When Push Comes To Shove as both records share the same approach to composition, sound design and production techniques but with different results. When Push Comes To Shove, being a milepost in Soft Riot’s main timeline of experimental, auteur synth pop, provides the extrovert side of JJD’s artistic output — an active listen that sounds suitable in a club or other energetic environment. Chin Up is a reflective mirror to these qualities; being the darker introvert counterpart, in a more sporadic, alternative timeline — a passive listen more suitable for the depths of the night after the everything has closed, alone in your apartment.

It’s a very personal release, written in the late night hours as an escape from the trappings of things like culture, scenes, political calamity, information overload, existential dread and the confines of what is considered synthesizer pop music. Its genesis is rooted in a feeling of endless grey malaise, especially in the record’s long and labyrinthine feel — but then taking that initial idea and expanding its colour. There’s a fine balance that’s carefully engineered throughout the record; a balance between creeping dead, melancholy and a sense of finding a moment to rest and internal resolve.

The result is a record full of large cavernous spaces where all of the instruments are placed with careful distance in that space. It’s synth pop shifted into new bearings, where styles of ambience, drone and soundtrack-influenced ideas make themselves the foremost presence.

CD / Cassette / Digital Album

When Push Comes To Shove is the seventh studio album by Soft Riot, the stylised musical alter-ego of Glasgow-based Canadian artist JJD .

Resonating with references from all corners of the synthpop’s origins (DAF, Fad Gadget and John Foxx to name a few), Soft Riot’s latest release nonetheless manages to retain its own individual voice, melding and reinterpreting its antecedents with a personal twist and an impressive demonstration of synth-craft and programming. Following on from 2018’s The Outsider in the Mirrors, these ten tracks represent a change in themes and an evolution in production and sound.

The forthcoming single and album opener “Taking The Edge Off” sets out the Soft Riot manifesto, a propulsive future-synth tale of forging ever-forwards in an increasingly noisy world. “It’s No Laughing Matter” is a hedonistic yet propulsive dance-floor slammer — shades of minimal synth and metallic Belgian new beat condense in side one closer “Fate’s Got A Bone To Pick With You” and the dizzying italo-matic muscle workout “Don’t Get Yourself Bent Out Of Shape” is the ultimate self-help smack down.

Although there’s no overarching concept to the album, Soft Riot has used this release as platform to experiment with his own concept of “déja vu”, using minute details of musical phrases and lyrics that have been used before in previously released Soft Riot material, and even between songs on this album. Some of these mirrored details are very subtle and would only be picked up by someone who has listened to all of the material up until now. It could also be the underlying black humour of Soft Riot’s work, mischievously playing off the old saying “it’s all been done before”.

The tracks were all composed in an extended hiatus from live performance between November 2018 and January 2019; a deliberate move on the part of JJD in order to foster a more focused creative atmosphere and allow for the writing process to have a more intuitive flow. This also allowed for a deeper exploration of sound design of his equipment, with this release utilising a range of different synths, something that reflects in the depth and richness of the new album’s sounds.

LP / CD / Digital Album

Taking Off The Edge is a digital single from 2019′s When Push Comes To Shove LP, which also contains two exclusive tracks from the album recording and mixing session. These tracks are “There Just Isn’t Enough Time II” and “You’ve Got The Brains To Figure It Out Yourself”.

Resonating with references from all corners of the synthpop’s origins, Soft Riot’s latest release nonetheless manages to retain its own individual voice, melding and reinterpreting its antecedents with a personal twist and an impressive demonstration of synth-craft and programming. Following on from 2018’s The Outsider in the Mirrors, these ten tracks represent a change in themes and an evolution in production and sound.

Digital Album

Soft Riot is the stylised musical alter-ego of JJD, Canadian by birth and an ex-resident of London and Sheffield, now based in Glasgow (so not unfamiliar with sites of post-industrial decay!). With over twenty years of playing in various post-punk and synth-punk bands, he has been crafting the sound of Soft Riot since the early turn of the decade, releasing a slew of albums across a multitude of labels and touring obsessively around Europe and beyond.

With “The Outsider In The Mirrors”, his sixth full-length, he has found a new home for his sound on Possession Records, a fledgling Glasgow imprint founded by JJD, Claudia Nova (aka Hausfrau) and Andy Brown (Ubre Blanca). Their aim is to bring together their pool of musical talents and provide a more permanent home for their future creative endeavours, whether it be music, video or otherwise and to experiment with what it is to be a “label” in the ever evolving 21st century. Future projects and releases will see them getting a select group of their peers and friends involved in Possession’s focused vision, locally or from further afield.

LP / Cassette / CD / Digital Album