Collin Gorman Weiland - In My Shattered Vase

DKA is extremely excited to present the new 12″ EP from Collin Gorman Weiland, “In My Shattered Vase.” Having previously released some of our favorite music on labels like Downwards and Jealous God, Weiland’s new offering features 3 originals from the Minneapolis native + 2 edits from Germany’s Mick Wills and a remix by DKA co-founders Pyramid Club, this is a journey through textured murk, melancholic musings and deranged rhythmic euphoria, distorted drums clash against harsh tones to create an environment both familiar and completely alien, grounded by Collin’s deep, dead pan spoken word.

For the b-side, Mick Wills revisits Collin’s track from our previously released Strategies Against The Body vol. II LP compilation. an amazing yet utterly un-DJ-friendly track Mick has wrestled with and wrangled into an extended late night dance floor slayer. This is followed by Pyramid Club’s reinterpretation of “Ballet Of Pose” from the A-side, stripping it back to it’s most percussive elements and propelling it forward with a steadily snowballing momentum.

EP / Digital Album

Posted on August 5th, 2019 under Releases, ,

Videograve - Flatphreaks

DKA’s newest addition to an ever-expanding roster is from a mysterious NYC duo. Videograve and DKA first started relaying information back and forth several years ago via the Internet. With deep cuts of industrial funk drawing from Cabaret Voltaire and Severed Heads, the minds behind DKA knew they had to work with the disembodied duo that rarely appear live. Videograve submitted the standout track “Dead Men Floating” to Strategies Against the Body II and DKA vowed to work with them again.

Now Videograve have followed up with Flatphreaks. Ten tracks of deep industrial bangers that sound like Test Dept or Portion Control working on tracks for Janet Jackson during the late 80s. Imagine a lost Belgian new beat 12inch crossfading into an Ike Yard record on a booming sound system.

Like their name suggests, Videograve explores the dark side of modern technology. Flatphreaks came about thinking on screen-culture: Faces literally buried into screen-fire-flatness a die in diem, bodies are emptying themselves out into the cloud, 5 years becomes 5 seconds. Time becomes junk, life is expanded and shortened, bodies are flattened out and stretched into information infinity. Anyone is anywhere-at-any-time. As screens become more engorged with the world in an attempt to utterly describe it, the macrocosm beyond it becomes darker. Paranoia takes root, a reality once trusted becomes a thing mired in deceit, up-rooted by the network. Everyone is a flattened, disfigured phreak in the new-world-network.

Videograve’s fourth release is a 10-track industrial synth pop album greased up in machine melancholy. Flatphreaks constructs an amalgam of writhing, rubbery funk riffs and somber melodies on a foundation of signature punchy percussion and creeping rhythmic elements. These tracks highlight moments of music and sound design improvisation, and focus on raw, broad edits by ear over strict sequences on the grid.

Cassette / Digital Album

Posted on July 3rd, 2019 under Releases, ,

CRT - CS2

DKA is proud to welcome CRT to the label. The solo project of one Michael Keenan (MPKJR), CRT is no stranger to the stages of Atlanta. MPKJR has been heavily involved in the Atlanta underground for well over a decade. CRT is Michael’s foray into modular electronics that blends together a well-versed mix of Industrial, Techno, and EBM with echos of raw punk. Sparse dead pan vocals mix blown out kicks and angular metallic noise to create a harsh 80’s-tinted acid-drenched landscape . Skeletal funk ala Severed Heads or a smoked-out basement remix of Headhunter laced synth punk aggression with shades of Screamers (the video for “Blister Pack” paying homage to the Target Videos of yesteryear) blended with a few tragic vocal hooks a la Nervous Gender are tearing through the fog on this release.

CRT emerged from Atlanta’s punk, noise rock and electro scenes through playing in bands like Electrosleep Int’l, Hawks, Airoes and Youth XL, unabashedly wearing the sonic influence of bands like Chrome, Six Finger Satellite, Rusted Shut and Brainbombs firmly on the sleeve.

Cassette / Digital Album

Posted on June 7th, 2019 under Releases, ,

Passing

DKA is proud to announce the debut cassette from Passing (AKA Christopher Myrick.) Passing hails from Los Angeles and has been active on the scene for the last couple of years. Myrick was initially a founding member of Bestial Mouths but left the group and started Passing as means of exploring a more minimal sound. After a brief stint as a duo, Myrick decided to make Passing a solo project. For his debut self-titled full length on DKA Myrick has submitted eleven tracks of pulsing EBM that manages to sound like the future-past of EBM and Industrial music.

One could imagine this as the lost early demo recording of Skinny Puppy or Psyche but from a dystopian future twenty years from now. That’s what makes this recording so interesting: it conjures up DIY post-punk cassette culture harkening to lost tape classics of cold-wave like Trop Tard. At the same time, there is a definite hint of the chic, futuristic EBM sound of Phase Fatale or Silent Servant. However, it is Myrick’s vocals that really make this release standout from other contemporary EBM offerings. Passing has all the snarl and grit of Skinny Puppy on some songs yet can also drift into a more classic goth register. In some ways the vocals are reminiscent of Roz Williams of Christian Death on “Only Theatre of Pain,” showing a deeper, more emotionally vulnerable quality while other times sounding more like the staccato vocals of Cabaret Voltaire. DKA is proud to work with Passing and include him in our family. Passing first appeared on the DKA roster with “Sacrifice” on the Strategies Against the Body Vol. II and then a more recent appearance on DKA

Cassette / Digital Album

Posted on January 3rd, 2019 under Releases, ,

DKA Tape Programme Vol. II

The second compilation in the DKA Tape Programme series features twenty artists making waves in the industrial, goth, acid/house, techno, and minimal synth underground, with artists from all over the world creating death disco dirges, acid bangers, and forlorn post-punk anthems.

Vol. 2 sees the return of DKA stalwarts Tannhäuser Gate, Autumns, Xander Harris, Karger Traum, and Passing, joined by several new (and new to DKA!) acts that have quickly become a part of the always expanding DKA family. Several of these artists have played in Atlanta and blown away the people behind DKA and we wanted to introduce them to you, our faithful listeners! Some of the musicians on this compilation have to date only self-released tapes while others have releases on the extended network of underground techno/industrial labels like Ascetic House, Pop Nihil, New Body, Tram Planet, and more. There is something for everyone looking to jack into the electronic body movement on this monster tape comp that clocks in at over an hour!

Cassette / Digital Album

Posted on November 1st, 2018 under Releases,