Now PlayingKinder Aus Asbest - PausTune In     Song History
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“In The Garden” explores the fragility of identity and the struggle to reconnect with a version of yourself that feels lost to time. It reflects on memories that may carry a certain weight of trauma, yet they linger not as entirely bad, but as a bittersweet taste of something irreplaceable, moments you can never relive but will always hold close.
The ninth installment in the MEGABREAKZ series dives headfirst into the raw energy of early industrial. A rhythmic discharge straight from the golden era of industrial new beat and industrial dub: rusted percussion, toxic delays, and sweat-drenched basslines. Velax channels the raw spirit of Chicago’s most abrasive scene, Wax Trax!, where beats were machines and noise had a body. But here, everything is filtered through the dub haze of the UK’s early counter-scene, with fractured echoes in the style of Keith LeBlanc, crafting the ideal soundtrack for a crumbling factory. Grit, groove, and distortion as the only possible language.
Renowned for his visceral work with HIGH-FUNCTIONING FLESH, Greg Vand dives deep into the experimental proto-industrial with his solo project NEWBOY, revealing a darker, looser, and more hypnotically unstable side of the music machines. “The Color of Everything” is a transmission compilation with cracked circuitry, lysergic funk, warped tape hiss, and urban hallucinations.Think Cabaret Voltaire jamming with Bourbonese Qualk, Ike Yard, and Esplendor Geométrico: a mutant rhythm ritual for abandoned clubs and alleyway rites. This is rhythm as both weapon and escape. A dystopian groove engine primed for fans of the avant-garde, the unstable, and the underground, all tuned into the fractured future of dance music.
Compiled and released by 22Recordings in 2025, this EP marks the final chapter of Synths Versus Me, the Spanish electronic duo active from 2015 to 2024. Drawn from original analog-driven recordings, this closing release captures their raw, emotive energy and distills the essence of their signature style—blending cold wave, EBM, and synth-pop within the broader darkwave and minimal synth scenes. It features the previously unreleased tracks “So Far,” originally recorded in 2015, alongside the Dark Vektor remix of “Sei Morto,” taken from their final album, Default Mode Network. |
