One of the most powerful bands Melbourne has ever produced, presents their dark-yet-somehow-vibrant vision of electronic pop with their debut self-titled album.
Employing the weight of gnarling basslines, shimmering analogue synthesiser, punishing drum machine and the scathing lyrical vision of Jenny Branagan, Nun’s sound flows from sinister drone-orgy and hyperkinetic synth-punk to saturated new wave worship.
An unrelenting aesthetic sense penetrates every aspect of this record, resulting in a remarkably cohesive work of art. Song structures are simple, considered and direct – everything is fine-tuned to ensure maximum sonic devastation. The music is danceable and poppy, it’s sad and incisive, it’s fun, aggressive and heavy as hell. Most impressive of all is its immense force; the effortless delivery belying an overwhelming sense of something very heavy and unpleasant looming just beneath the scintillating pop surface.
Co-released with Aarght Records from Australia, LP comes in printed innersleeve housed in thick, reversed jackets.