Giant Swan - High Waisted

Giant Swan are debuting on Mannequin Records through the Death of the Machines serie, the dancefloor/experimental oriented side of the label, dedicated to new artists.

Robin Stewart & Harry Wright team up to create an acerbic marriage of energised, aggressive dance music, quaking bass and hypnotic electronic noise. Across a table of machines and pedals, incorporating abused guitar and liberal vocal manipulation, Giant Swan create a cross-breed of hypnotic bass, industrial percussion and disorientating energy delivered with telepathic intricacy.

12″ / Digital Album

Posted on August 17th, 2018 under Releases, ,

Raw Ambassador - Mental Disorder

Raw Ambassador steps in again for Mannequin Records series “Death Of The Machines” with a veritable feast of 80`s industrial and primitive EBM bangers. Four trax of Mutant Industrial music designed for spreading disease and bringing disorder in every dance floor around the globe.

12″ / Digital Album

Posted on June 20th, 2018 under Releases, ,

Various Artists - Waves Of The Future

The modern synthwave scene would be significantly poorer without the keen ear and tireless efforts of the Mannequin label run by Alessandro Adriani. Geographically situated within the nerve centers of Rome and Berlin, yet with a musical spirit that easily transcends these boundary lines, Mannequin’s back catalog has been an important component in the modular assemblage that makes up electronics-based independent music in the 21st century, and an important reference point for those who need to defend against the lazy accusations that this such is purely “retro” in its form and content. Recent accolades and accomplishments – being named Resident Advisor’s “label of the month” for May of this year, starting the ‘Death of the Machines’ 12” series, and being given the ‘green light’ for bi-monthly parties at the Säule room in Berghain – have been earned through Mannequin’s unflagging commitment to sonic diversity and Adriani’s own realization that the anxious and sharp-edged sounds associated with, say, the Cold War of the 1980s can convey a completely different message today. Adriani says it best when claiming that “there is no such thing as ‘old’ or ‘new’ music…only the music of now”. With this cogent statement of intent, Mannequin continues to go on exploratory missions to find the best and most relevant aspects of genres like acid, industrial, EBM, post-punk, coldwave and still more.

Which brings us to Mannequin’s newest project and 100th release overall: the Waves of the Future double LP compilation, which itself is not a conventional retrospective collection. Case in point – none of the artists appearing on this collection have put out their own releases on Mannequin yet, despite acting as Mannequin’s unofficial ambassadors (via DJ sets and other means). This makes the set even more compelling rather than less so, since it shows how Mannequin fits into a larger picture that includes other scene leaders and label owners including Beau Wanzer, Willie Burns (WT Records), Silent Servant (Jealous God) and Ron Morelli (L.I.E.S.). Of equal importance is how Waves of the Future projects a sense of aesthetic resilience and continuity; showcasing just how well the current artists allied with Mannequin employ and re-interpret the sonic lexicon that appears on that label’s reissues of ‘classic’ acts such as Nocturnal Emissions, Bourbonese Qualk, Din A Testbild and Doris Norton.

2 x LP / Digital Album

Posted on May 7th, 2018 under Releases,

Group A

Berlin based Japanese industrial synth duo group A make their debut on Mannequin Records with a killer 3-tracks self titled EP.

Tommi Tokyo (synth, drum machine, vocals) and Sayaka Botanic (violin, tapes and sampler) released 2 studio albums and 1 live album in Tokyo, before to move in Berlin in 2016. With their mixture of dark minimal synth, avant-noise, striking visuals and performance art, the duo still carries on the very breath of early industrial pioneers such as Throbbing Gristle, Die Form, Klinik, Cabaret Voltaire.

The EP was recorded in Tommi’s bedroom and later mixed together with Mannequin Records head Alessandro Adriani in his own studio in Berlin. The first two tracks of the EP, ‘T.O.P.’ and ‘Ketabali’ represents the duo personal reaction against the current economy, an up yours to capitalism, news and politics, all permeated by industrial rhytmic-noises and words with no meaning.

The B2 ‘Alibi’ instead was inspired by an autobiography of Hi-Red Centre(Japanese avant-grade art group in the 60-70′s) written by one of the members, Genpei Akasegawa. Tommi found the word “Alibi” in the book and she just started singing about the group. As she never wrote lyrics for that, during their live performances they are always improvised, so changing and mutating every time.

12″ / Digital Album

Posted on January 16th, 2018 under Releases, ,

Sam De La Rosa - Earth Wart

Here’s the second release from Sam De La Rosa, a founding member of Led Er Est and The Coombe, from Austin, United States.

12″ / Digital Album

Posted on January 12th, 2018 under Releases, ,