Holiday Inn - Torbido

Fictional larger than life characters come in all forms and ways but no one expected East Rome acid minimal synth-punk duo Holiday Inn to spread their cult in such a distinctive manner, overthrowing all sets of rules in the peninsula’s stuffy DIY circuit and uniting techno-industrial enthusiasts, hardcore noisers and theatrical dark wavers. At some point though someone just had to do it!

Co-released by Avant! and Maple Death, Torbido is Holiday Inn’s debut full-length and by all accounts their strongest manifesto yet. A collaboration between Gabor (Aktion, Metro Crowd) on voice and Frenchman Bob Junior (Trans Upper Egypt, Bobsleigh Baby, Hiss) on synth and drum machine, they leave their best on stage, live shows have cemented their ill reputation: Gabor is a lanky dude and struts onstage with a boxer’s pre match ritual dance, ready to vomit words in your face while Bob’s composure never fails to spread misery and mystery through his vintage noise assault setup.

Torbido kicks off with She, a hallucinogenic dub infused punk anthem, Dirty Town is an industrial boogie for wide eyed dreamers, Feel Free! is an electro jungle b-boys rhythmic speed induced breakbeat tune for the future. The feverish magic happens on No Speaking, where Holiday Inn turns an acid techno tune into a circuit breaking warped frenzy.
Holiday Inn are shaped and scarred by the unauthorized development of buildings once considered a sign of gleaming growth in the Roman suburbs. It’s nostalgic and nasty, and will not have a bright future and let’s not forget that Torbido means murky and sinister, so come on and take a plunge into Tevere’s mudbanks.

LP / Digital Album

Posted on May 27th, 2018 under Releases, ,

QUAL - The Ultimate Climax

Qual is finally back with his much-anticipated second full-length album. On The Ultimate Climax William Maybelline takes the hints of his previous Cupio Dissolvi EP to a fully extended sulphurous formula. Eight tracks where traditional goth standards get updated to new, bizarre heights.

The opener Black Crown is a brooding industrial, almost power electronics assault. Above Thee Below Thee is a powered-up disco nightmare with BM-like volcals, drenched in factory steam and urban filth. Take Me Higher has some sort of electro-funk bassline to it. The closing track is a 155 bpm epitaph reminiscent of Czech Doomcore pioneers Fifth Era.

The past is gone, the future is corrupted. The is no time but the present to brutally unload this Existential Nihilism thus let The Ultimate Climax unfold.

LP / Digital Abum

Posted on March 29th, 2018 under Releases, ,

10 Years Anniversary Playlist

Free download playlist for Avant! Records 10 years anniversary.

Digital Album

Posted on December 24th, 2017 under Releases,

Veil Of Light - Front Teeth

The Swiss Zürich-based act comes back with their third full-length recording.

Not even one year after their latest Ursprung LP, Veil Of Light give us ten new songs that mark quite a change of direction. The black&white artwork of their previous releases is gone to give space to one bold, full-colour look. The guitar-driven shoegaze-oriented fuzzy sounds of past records make way for a new focus on the Electronic, Industrial Synth, EBM-Wave spectrum.

Check out the opener Your Love with its throbbing synths and mechanical drumming, or the pressing minimal-wave of Soul In Ethanol; again, Sturm Und Drang’s pounding industrial dance and Body To The Ceiling’s doom electronics.

A new wave of New Wave is here and Veil Of Light are showing the way.

LP / CD / Digital Album

Posted on April 28th, 2017 under Releases, ,

QUAL - Cupio Dissolvi

Lebanon Hanover’s bassist William Maybelline is back with his solo project. After the debut album Sable from 2015, Qual strikes back with a three-track 12” maxi-single.

Each one of these new songs explore a different dimension of Maybelline’s approach to Body/Wave electronics. The title-track Cupio Dissolvi is what we may already call classic Qual: gloomy and throbbing, synth-driven and labyrinthine. A Bloody Blob explores new martial slants, with war-like timpani and a marching robot gait. Rape Me in the Parthenon is a 8 minute long dancefloor mayhem anthem scanned by some pounding techno drumbeat and EBM snare and pads. The most alert of you already checked this in some Ancient Methods DJset. By far the most extreme track Qual recorded so far.

“Buried in flowers with hands of gold / Buried together we’ll never mold” shall be thy epitaph here, as well as your message engraved on virgin vinyl.

12″ EP / Digital Album

Posted on February 17th, 2017 under Releases, ,