SDH (Semiotics Department of Heteronyms) is the new project of two key figures of the synth-wave/industrial scene of Barcelona. Andrea P. Latorre and Sergi Algiz, founders of the Cønjuntø Vacíø label and also in the post-punk band Wind Atlas, unveil a new act more oriented towards pop music.
SDH is change, alteration, distortion, metamorphosis.
Their synth-pop songs, sprinkled with EBM and techno, are mysterious, obtuse and suggestive.
The project seems to revolve around the idea of fiction.
What is the language of feigned personalities? What is fiction? An individual is one and another, is liquid. It is physical.
Incarnating someone is doing it in a corporeal way: making it flesh. Conceive: everything is real: reality does not exist. How is a fiction embodied?
With only two songs published, they have already supported artists such as Marie Davidson and Merchandise and performed at the Swedish festival Kalabalik På Tyrolen, one of the reference festivals of the darkwave scene.
Fictional larger than life characters come in all forms and ways but no one expected East Rome acid minimal synth-punk duo Holiday Inn to spread their cult in such a distinctive manner, overthrowing all sets of rules in the peninsula’s stuffy DIY circuit and uniting techno-industrial enthusiasts, hardcore noisers and theatrical dark wavers. At some point though someone just had to do it! Co-released by Avant! and Maple Death, Torbido is Holiday Inn’s debut full-length and by all accounts their strongest manifesto yet. A collaboration between Gabor (Aktion, Metro Crowd) on voice and Frenchman Bob Junior (Trans Upper Egypt, Bobsleigh Baby, Hiss) on synth and drum machine, they leave their best on stage, live shows have cemented their ill reputation: Gabor is a lanky dude and struts onstage with a boxer’s pre match ritual dance, ready to vomit words in your face while Bob’s composure never fails to spread misery and mystery through his vintage noise assault setup. Torbido kicks off with She, a hallucinogenic dub infused punk anthem, Dirty Town is an industrial boogie for wide eyed dreamers, Feel Free! is an electro jungle b-boys rhythmic speed induced breakbeat tune for the future. The feverish magic happens on No Speaking, where Holiday Inn turns an acid techno tune into a circuit breaking warped frenzy. Qual is finally back with his much-anticipated second full-length album. On The Ultimate Climax William Maybelline takes the hints of his previous Cupio Dissolvi EP to a fully extended sulphurous formula. Eight tracks where traditional goth standards get updated to new, bizarre heights. The opener Black Crown is a brooding industrial, almost power electronics assault. Above Thee Below Thee is a powered-up disco nightmare with BM-like volcals, drenched in factory steam and urban filth. Take Me Higher has some sort of electro-funk bassline to it. The closing track is a 155 bpm epitaph reminiscent of Czech Doomcore pioneers Fifth Era. The past is gone, the future is corrupted. The is no time but the present to brutally unload this Existential Nihilism thus let The Ultimate Climax unfold. The Swiss Zürich-based act comes back with their third full-length recording. Not even one year after their latest Ursprung LP, Veil Of Light give us ten new songs that mark quite a change of direction. The black&white artwork of their previous releases is gone to give space to one bold, full-colour look. The guitar-driven shoegaze-oriented fuzzy sounds of past records make way for a new focus on the Electronic, Industrial Synth, EBM-Wave spectrum. Check out the opener Your Love with its throbbing synths and mechanical drumming, or the pressing minimal-wave of Soul In Ethanol; again, Sturm Und Drang’s pounding industrial dance and Body To The Ceiling’s doom electronics. A new wave of New Wave is here and Veil Of Light are showing the way. |