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Some other toilet love stories.. Some new minimal mutant songs.. After a few months of investigation, our delegation in Kastanienallee / Berlin brought us a bunch of fresh DIY post-punk hits from the actual scene. This tape shows us how it sounds behind the back doors of clandestine bars. Definitely dark! Go where the heart is!
Your favorite nostalgic summer hits covered by some gothic electronic outsiders! Including: Dragostea Din Tei, Obsession, Bailando, Vamos a la playa, Besame mucho… This tape should bring some good old sunshine reminiscence in this new area of accelerated climate catastrophy…
This project began as a ritual black metal outfit, but has since taken inspiration form acts such as circle of ouroborus, key, and crooked necks, to create a unique sound melding post punk, dungeon synth, black metal and black wave.
Wladyslaw Trejo is a Spanish musician forged in the underground scene and known for his roles with synthwave duo Slovenska Televiza. In his solo project, Trejo leans more towards his punk side whilst revealing an intimate side with no qualms about tearing the ribs out and exposing the soul, and the fears and evil that lurks in us all! A dark and psychotropic journey in the form of feverish electronics, with industrial rhythms and almost paranoid walls of sound. ‘Movida’ is a taster to a full length also on Polytechnic Youth in 2020. Alexandre Bazin is a current member of the renowned ‘Groupe de Recherches Musicales’ (GRM), based in Paris, France. His work considers the sonic experience drawing on a rich mix of acoustic instrumentation and analogue synthesis. 7″ / Digital Album [free download]
Pleasure Principle is located somewhere within a triangle formed by Francis Bebey, Add (n) To X and Ludwig Von 88; it is a solitary race to the outside, an ode to the forward flight, a way to escape in the peaceful expectation of the great liberating flash. I often find myself dancing like a monkey who forgets the world when I record at night in my room, and I hope to provoke the same reaction in people. |
