Chrome Corpse is a 4 piece band featuring young electronic musicians from Seattle, Washington and Paris, France. Influenced by old school EBM, industrial, dark electro, noise, ambient, and extreme metal.
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Influenced by Severed Heads, Garry Bradbury, and Skeptics, the band members Dom Krsic & Frank Sumatra team up to create an acerbic marriage of energized lush melodies blending synth-pop with industrial/post-punk disciplines. Their curious tape loops and industrial noises melts together with clanking drum machine rhythms, surging body grooves and distorted synthesizer melodies. The result is a Psychotic FM Synth Symphony where the Croatian artist slowed-down, sped-up, reversed, and decontextualized his music into a timeless deranged cacophony of samples and percussions.
More than a collection jewel is the example that good music with analog synthesizers has not ceased to exist, the “movement study” is a magnificently complete album within the minimal synthwave genre. One of the jewels of the minimal synth underground scene Tony Williams returns with a musical reserve.
Four years after the release of the debut album, the French Tisiphone are back, this time, for an absolutely changeable adrenaline injection that will follow the short-duration format. The new EP, entitled KOMA FORTE, hits the shelves and consists of a total of six themes in an approximate duration of half an hour. From the new EP – which received additional details this week – the track “Atomic Tissue” had previously been released, which can be heard below with audiovisual work. KOMA FORTE follows the trio’s first career LP, TISIPHONE and presents a very eclectic sound without being attached to a single conception. From entertainment theater to widely sentimental sounds, the new EP by Tisiphone promises to make a stir in 2020. In addition to “Atomic Tissue”, the French have presented in live performances the theme “Heureux Je Suis” which will also integrate the alignment of the new work.
Celldöd, aka Anders Karlsson, has been releasing dirty electronic music since the late ’80s, both small-run cassette tapes inspired by the DIY ethos of his post-punk background, and pristine vinyl editions. Karlsson’s music is uncompromising and edgy, with roots in both early electronic and ’70s industrial music from Britain, as well as US techno and Kraut-inspired German electronics. Digital Album [free download] |
