Here’s another release from Dmitry Gruber, the artist behind the label Hjördis-Britt Åström from Rostov On Don, Russia.
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Medical Records proudly presents Volume III of a collection of “Forgotten Tracks, Sketches and Unfinished Work 2002-2004” by Martial Canterel. This release coincides as a standalone with Medical’s other releases of Volume II as well as a special 3LP compiling Volumes I-III. Sean McBride has been producing work under the Martial Canterel moniker dating back to 2002 as well as working as half of Xeno And Oaklander. These tracks capture the allure and depth of Sean’s early work exploring rhythms and perfectly crafted pop songs using a very early incarnation of limited instrumentation. Fans of Martial Canterel’s early work (think “Austerton” and “Sister Age”) will be instantly elated. This is the first time these tracks have been released on vinyl and have been remastered for this release by Martin Bowes at the Cage, UK. Contains special bonus insert with lyrics. Fans of early Martial Canterel as well as other cold wave icons such as A Blaze Color, Snowy Red, and the like will need this collection. Presented on high-quality 180gram classic vinyl. Almost a year in the making, with tracks having been mislaid or buried underneath piles of original demos, then reconstructed and remastered! This compilation aims to highlight the core elements of French Synth-Pop from it’s earliest incarnation to newer acts influenced by the earlier protagonists distinctive sounds and retro imagery. There will be many a familiar name here, and perhaps a few unknowns. It is not an exhaustive list of the acts associated with this particular ‘scene’, but a tribute to the idiosyncrasy and diversity of French analogue music. Many of the tracks are completely unreleased or are early demos. For the aficionado we hope this fulfils a rediscovery of old classics or to the late-comer a decent collection of tracks that serve as an introduction to the uniqueness of French Synth music and the burgeoning new scene. Drab Majesty is an inter-dimensional platform aimed at channeling aural and visual messages founded by a human being from Los Angeles in 2013. The human communes directly with it’s spiritual muse/assumed alter-ego Deb Demure to demonstrate the power in relinquishing ownership to a divine design, thereby handing inspiration over to the spirit world – essentially serving as a contractor in business with the Collective Consciousness. Relying on those principles, Drab Majesty, from its inception, set out to achieve no specific style, yet over the span of a European tour, several US tours, an LP entitled “Careless” (released and reissued 3 times on DAIS Records), 2 cassette EP’s, and a 7-inch on (Weyrd Son/Brussels), Deb has honed in on a pointed aesthetic. While inherently guitar-driven music in the vain of The Chameleons or Red Lorry Yellow Lorry, Drab Majesty’s sound is often nuanced by ethereal washes of icy keyboards and arpeggiated synthesizers, backed by heavy mechanized percussion and forked pulsing synth bass, all adorned with reverb-laden vocals reminiscent of a hallowed cathedral. Welcoming back our early label recrute Maoupa Mazzocchetti delivering the follow-up to both his debut releases on Unknown Precept. Emerging back in 2014 to then become an esteemed music maker in the inner-circles of the underground community, the Brussels’ based sound artisan quickly established himself as a complete artist made of a peculiar and inexhaustible surge of inspiration — always making sure to stay off the beaten paths while exploring the nooks and crannies of his disturbed and facetious mindset throughout his latest productions. ‘Infinite Glance Court’ is a condensation of this diverse inventiveness, an intimate and minimalist journey borrowing as much from John Bender as the European dance tradition of the late 1980s. It shows the producer asserting once again the essence of what makes his brazen style thanks to the dancing jokes and corroded ballads which he alone holds the secret of. |




