
Dina Summer, the collaborative band project between Kalipo and DJ couple Local Suicide, announces their exciting debut album “Rimini”. The LP is a unique blend of their influences, drawing from 80’s disco, 90’s electro, new wave and downbeat for a fun, nostalgic and dark retro sound.
The Berlin-based project is fronted by Dina P, who lends her vocals and thought-provoking lyricism to the act. The Greek native first started performing as a teenager on local radio stations, where she made waves as one of the first women DJs in Thessaloniki. She later moved to Berlin, meeting her husband and DJ/Producer partner, Brax Moody, to form Local Suicide. The third member of Dina Summer is Bavarian-born Kalipo, who started his music career as the producer and a band member of the German electro-punk band Frittenbude. While the trio initially met at a rave at the Rock am Ring festival in 2013, they only began working on music together in 2019 and have since been refining their combined sound.
Dina Summer’s “Rimini” offers a nostalgic and beautifully crafted journey through retro disco sonics, incorporating synth pop, new wave, and disco elements for funky, upbeat, and versatile tracks that can be enjoyed beachside or on the dance floor.
LP / Cassette / Digital Album

The Glasgow 5-piece debut 4 tracks of post-punk with an ill-lit familiarity found in the early EPs of The Sisters of Mercy and Xmal Deutschland. Coupled with the angular metallic edge of Chrome’s Red Exposure and silky production, the sunless chants of Memorabilia are paramount to your winter soundtrack.
Cassette / Digital Album

German cold, minimal electro-wave and industrial from Dortmund/Ruhrgebiet, started in 1994.
CD / Digital Album

Kübler-Ross is a minimal synth/wave/industrial three-piece from Glasgow, Scotland, featuring Craig Clark, Katie Shannon, and veteran electronic producer and remixer producer Dave Clark, best-known for his Sparky moniker, and as one-half of the production/remix team Optimo (Espacio).
First emerging in 2015 with a couple of compilation appearances, Kübler-Ross released their debut, self-titled album in 2020. Originally released as a limited-edition cassette on the Glasgow label Akashic Records, the album — now resequenced and released on vinyl via Suction Records’ minimal synth sublabel Ice Machine — is a collection of tracks recorded over a three year period in a variety of studios, rehearsal rooms, and gigs, documenting the musical variety and ferocity of their incendiary live performances. The Akashic tape, despite being low-key, under-the-radar, and released in limited quantity, managed to earn them a Long List nomination for SAY (Scottish Album of the Year) for 2020.
LP / Digital Album

Boxes of blow were founded in the summer of 2016 when Thodoris Koutsogiannis and Alexios Othon Theodoridis met at a festival playing with different projects each other. They decided to create a band with post punk, darkwave and noise sounds. After a lot of experimentation and changing members, the basic idea remains the same. Their music is a blend of clean and noisy guitars, bass and synth, along with some rythmic drums, that altogether create their characteristic atmospheric dark sound. After many concerts in Greece in 2017, a self released EP, the following year and some time for introspection that doubled due to the pandemic, they finally return.
“Dystopia” is the first LP of Boxes of Blow. It contains all the work they did from 2016 to 2021. Finally, it was decided to include all the tracks on this release mainly because it shows their first personal stamp from the first to the last track. There are many themes in it, the anxiety to find a solution to human problematic situations. Sometimes this anguish becomes a huge inaccessible “wall”, a boundary that we cannot cross, nor see beyond. Many metaphorical meanings, such as “black rain” that can symbolize any catastrophe internal to our existence or external to nature and the environment in which we live. Love, and how exasperating it is and rather hopeless. Yet, in all its elusiveness, love pushes us to stretch our limits, therefore becoming a necessary force. A force to reach beyond despite knowing that falling is almost certain, that’s why it is “the most noble” yet “the longest lost hope”. All this is expressed through the dreamy, atmospheric and electric sounds of the album. Usually after the first initial slow, simple theme there is a completion, fullness, abundance of instruments and sounds.
CD / Digital Album
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