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The term ‘cruelty’ is so limiting according to our cultural expectations of it, an act may give perceived ‘good’ to the perpetrator and ‘bad’ to the victim. It may give good in the long run and bad in the short run or vice versa. The unifying factor to all forms of cruelty is GHOULIA.
Strings of Fear is a glance into a damaged, yet ubiquitous beauty fetishism, when succumbing to the collective consciousness means walking a thin line between vanity, sanity and self-loathing. The four-tracker ties into a journey through fear, confusion, anger, desire and loathing, all fitted into one shot of adrenaline in a form of an EP.
TYVYT|IYTYI previously released a cassette on Pinkman, and now the connoisseur of groove-fueled wave electronics returns with a 17-track album. Dark but not bleak, Untouchable is a rather mischievous dance with misery. Filled with coarse synth-lines, percussive kicks, pierced with eerie vocals and submerged into nostalgic ambience it’s a cinematic sound journey for those brave enough to take it.
Ian Martin’s Neo Modernist is an exercise in introspection, where things aren’t always rosy. Confronting your anxieties and fears may not be pleasant but sometimes necessary to escape deterioration. Ian Martin’s music channels these feelings, and gives beauty to something that expressed in words can seem depressing. One of Rotterdam’s best kept secrets comes through with maximum emotion and prowess. Take notice.
Mass Asphyxia, Retrograde Youth’s new record comes in the form of 6 tracks to satisfy the escapist desires of troubled minds and souls. The Colombian artist operates in a sphere of his own where the lines blur between different styles, fusing oddball techno with deranged acid, industrial elements, ethereal synth and haunting vocal samples. The sound aesthetic is just as diverse with atmospheres meandering between sci-fi, disaster and retro-futurism. Retrograde Youth once more shows his nonconformity and ability to surprise in great style. |
