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	<title>XWave Radio &#187; Pharmakon</title>
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	<description>New Wave &#124; Synthpop &#124; Minimal &#124; Post-punk &#124; Industrial</description>
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		<title>Sacred Bones Records: Pharmakon- Abandon</title>
		<link>https://xwaveradio.org/2014/02/sacred-bones-records-pharmakon-abandon/</link>
		<comments>https://xwaveradio.org/2014/02/sacred-bones-records-pharmakon-abandon/#comments</comments>
		<pubDate>Sun, 23 Feb 2014 21:53:56 +0000</pubDate>
		<dc:creator>Monomane</dc:creator>
				<category><![CDATA[Releases]]></category>
		<category><![CDATA[Pharmakon]]></category>
		<category><![CDATA[Sacred Bones Records]]></category>

		<guid isPermaLink="false">http://www.syntheticwave.org/?p=1347</guid>
		<description><![CDATA[Margaret Chardiet was born and raised in New York City She has been making power electronics/death industrial music under the name Pharmakon for five years. As a founding member of the Red Light District collective in Far Rockaway, NY she has been a figurehead in the underground experimental scene since the age of seventeen. She [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://xwaveradio.org/wp-content/uploads/2014/02/Pharmakon-Abandon.jpg"><img class="alignright size-full wp-image-1348" title="Pharmakon- Abandon" src="http://xwaveradio.org/wp-content/uploads/2014/02/Pharmakon-Abandon.jpg" alt="" width="180" height="180" /></a></p>
<p>Margaret Chardiet was born and raised in New York City She has been  making power electronics/death industrial music under the name Pharmakon  for five years. As a founding member of the Red Light District  collective in Far Rockaway, NY she has been a figurehead in the  underground experimental scene since the age of seventeen. She points  out that the environment there amongst so many other experimental  artists (amongst them Yellow Tears &amp; Haflings) inspired her to keep  making increasingly challenging work. She describes her drive to make  noise music as something akin to an exorcism where she is able to  express, her “deep-seated need/drive/urge/possession to reach other  people and make them FEEL something [specifically] in  uncomfortable/confrontational ways.” Engineered by Sean Ragon of Cult of  Youth at his self-built recording studio Heaven Street, Abandon is  Pharmakon’s first proper studio album and also her first widely  distributed release.</p>
<p>Unlike other experimental projects,  Pharmakon does not improvise when performing or recording. She is  concise and exact; each song/movement is linear with a clear trajectory.  Perhaps more than any other style of music, noise is a genre almost  exclusively dominated by male performers. Spin Magazine is apt to point  out that her,“perfectionism might explain why her recordings are few and  far between — a rarity in a scene where noise bros are want to puke out  hour after endless hour of stoned basement jams into a limitless stream  of limited-edition tapes. Her music may be as cuddly as a trepanning  drill, but it’s also just as precise: She glowers in measured silence as  often as she shrieks, and every serrated tone cuts straight to the  bone, a carefully calibrated interplay between frequency and  resistance.” The songs on this album were all written and recorded  during a turbulent three month time period during which several  fundamental life changes forced her to begin living in a completely new  way and in a new space. She describes the lyrical themes of this album  as being about, “Loss. Losing everything. Relinquishing control.  Complete psychic abandon. Blind leaps of faith into the fire, walking  out unscathed. Crawling out of the pit.”</p>
<p><a href="http://sacredbonesrecords.com/releases/sbr099/">Listen and order here</a>.</p>
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