Buzz Kull is the moniker for Sydney musician Marc Dwyer (Marcel Whyler) whose sound is described as a cinematic blaze of industrial darkwave, minimal synth & post punk.
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Arctic synth pads, ghostly reverbs and urban spleen, Hørd’s music flirts with a gothic/darkwave aesthetic in a forward- thinking way. With elements of post-punk, EBM, shoegaze and techno to create haunting soundscapes, sometimes beat-driven, sometimes more contemplative. Hørd has brought its foggy atmospheres on stage from Italy to Russia, as well as releasing music on highly regarded imprints.
Two years after their previous Against Strong Thinking mini album, Spanish techno-meets-new wave duo SDH returns with a new, killer EP.
This is the first physical release by the duo composed by Nicholas James and Stanley Fouracres after a few digital singles in 2019 when they also opened for The Murder Capital at Sŵn Festival and played alongside M!R!M, Josiah Konder and The Love Coffin. On the two songs that compose the single, Plastic Estate clearly draw influence from the best UK new wave and pop artists such as Dave Gahan, Paddy McAloon, Roddy Frame and yet there is a sophisticated casualness and an innate freshness in their songwriting that makes them not sounding dated at all. Amazing composition skills for such a young band and a perfect balance between electronic dance elements and acoustic instruments allow them to pay homage to the above-mentioned masters and to be a perfectly contemporary group at once. Although it’s possible to pick out some darker lyrics, the overall feel is up-beat and breezy. It’s a contrast that runs through a lot of their music – like a dichotomy between dark, melancholia and happier, brighter feelings. Whether it’s a happy pop synth riff mixed with sombre lyrics or vice versa, the young Welsh duo is delivering the best 80′s-inspired modern pop craft. |
