“Uncanny Valleys” compilation series is related to the theory introduced by japanese robotitian Mori Masahiro back in 1970, referring to the paradoxical perception of the existing similarities between robots and human beings.

This third opus focuses on Modern sonics, through a variety of genres and interpretations of these aesthetics. While the volume opens with a aerial and breaked track, it unfolds with ritual and ‘techno’ blending, before stepping into deconstructed territories with heavy vocal and digital manipulations. Finally, the final contributions open up sharply designed sounds and noisy atmospheres, which maintain the link within the compilation series.

Taking a look at music that is influenced by a genre – Industrial-, created in the times where the concept of Uncanny Valleys was created, helps us to grasp the links between the theory and art, both inspired by the development of technologies and its influences on both personal and societal aspects.

Digital Album

“Uncanny Valleys” compilation series is related to the theory introduced by japanese robotitian Mori Masahiro back in 1970, referring to the paradoxical perception of the existing similarities between a robot and human beings.

Hereby graphically represented in the artwork as the moment the curve goes under the horizontal axis, Sven incorporated human and non-human elements with collage technique, blurring the line where humans and robots differ.

This first opus is made out of Techno-EBM tracks spanning from old school EBM identity to a more contemporary approach of body music.

Digital Album